Zemsta Page #3

 
IMDB:
5.8
Year:
1957
93 min
33 Views


- What's up?

- He's repairing the border wall!

He's hired 3 masons.

How dare he! I will beat them up

and knock down the wall.

Down to the ground!

- To the ground...

- I swear!

Take the servants and go!

If the masons

don't obey, use force.

You're trembling.

I'm so eager to fight.

But first

would you listen

to my new ode?

What?

It's an ode to peace.

Perhaps the Muse will calm your ire...

Stop it. Stay there.

...or I'll end up

all black and blue.

My dear mason,

I respectfully request

that you stop building this wall,

or you might get hurt.

Though I have much respect

for the artistry

of your craft, I humbly advise you

masons here present

to go to hell.

Nothing gets through

to them!

Are they deaf, or what?

Grab them by the neck

and pull them from the wall!

Quietly and nicely,

with no trouble.

Don't worry,

I'm right behind you.

Get out!

Get lost!

Wait!

What's going on?

My master doesn't want

the wall finished.

That's right. I ordered it,

and I have the right.

Stop the work!

- What right do you have?

- The wall should remain as it was.

Dear neighbor

don't be so unreasonable.

The wall must be finished.

Over my dead body!

Finish your job, my friends.

Pay no attention

- to what he says.

- Is it war you want?

My dear neighbor!

Stop acting like a bandit.

What did you say?

- Beat them up!

- I am with you,

Master mason.

Do not be afraid!

Let them interfere!

Let them strike you!

It's not the end

of the world!

I will take the case to court

and the Cupbearer will rot in jail!

Get me my gun!

I'll shoot the louse. Hurry!

That does it.

Pay them

for their efforts.

But disarm them.

That's it for today.

You, get out of my way,

or I'll beat you to a pulp!

I'm anxious to do it.

How many of you are hiding there?

Come out here!

Out the hole,

you scoundrels.

Cowards! I will tear

the whole castle down!

Why should I go back there

if you're going to

tear it down tomorrow?

Take me captive and keep me here.

- You surrender?

- I do, sir.

- You heard of my courage?

- Naturally.

- Afraid of me?

- Terribly.

- You'll do as I say?

- Yes, sir.

- Who are you?

- I'm right here.

- What are you then?

- I'm... I'm...

- What do you mean?

- I am my master's emissary.

- The Notary's?

- Indeed.

How very interesting.

Any old nobleman

as soon as he pays

his debts,

feels he must hire

an emissary.

No wonder so many

noble owners

end up servants

to their own clever emissaries.

This prisoner will make

the Cupbearer very glad.

Maybe when he sees him

and hears of my bravery,

Klara will finally be mine.

- Let's go, prisoner.

- Coming, sir.

Well, foreman darling, speak up.

Everything must be documented.

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Antoni Bohdziewicz

Antoni Bohdziewicz (September 11, 1906 – October 20, 1970) was a Polish screenplay writer and director, best known for his 1956 adaptation of Zemsta by Aleksander Fredro. Bohdziewicz was born in the city of Vilna (modern Vilnius), then part of the Russian Empire. In 1928, he graduated from the Technical Faculty of the Warsaw University of Technology and was simultaneously studying at the Faculty of Humanities of the Stefan Batory University. In 1928, he became a speaker at the newly established branch of the Polish Radio in his native city. In 1931 however he obtained a state scholarship and left for France. In Paris he joined the prestigious Ecole Technique de Photographie et de Cinématographie, where he also made his first documentaries. In 1935, he returned to Poland and worked as a journalist and cameraman for the state-owned Polska Agencja Telegraficzna Film Chronicle (PAT), the most popular newsreel in Poland. He also worked as a journalist and columnist for the "Pion" weekly. In late 1930s he made numerous documentaries for the PAT agency, as well as for the SAF film studio. In 1939, he began working on his first feature film Zazdrość i medycyna, based on a novel by Michał Choromański. However, the shooting was interrupted by the outbreak of the Invasion of Poland (1939). During World War II he was an active member of the Home Army and collaborated with the Bureau of Information and Propaganda as the head of the photo and film department. In 1943, he also started a Tres photographic studio in Warsaw, which became a clandestine outpost of the Home Army. During the Warsaw Uprising he became the head of the group of cameramen to prepare daily newsreels and was one of the people to prepare Warszawa walczy, a documentary filmed and shown entirely in besieged Warsaw. After the war he continued his career in the same role and became one of the first members of the Polish Film Chronicle (PKF) company. Working in Kraków, already in March 1945 he started a Film Atelier for the Youth, the first film school to be opened in Poland after the end of the German occupation. In December of that year he converted his atelier into a regular study, which became a direct predecessor of the Kraków Film School. In 1948 he moved to Łódź, where he became the chairman of the Department of Direction of the National Film School. In that role he became a teacher of several generations of Polish film directors. He also remained an active director himself. His first film, 2*2=4, was released already in 1945 and was among the first feature films to be shot in Poland after World War II. Between 1956 and 1962 Bohdziewicz served as an artistic director of the Droga Film Team and then the TOR Film Studio (1968–1970). Simultaneously he was also a teacher at the Brussels-based Institut National Supérieur des Arts du Spectacle. He died October 20, 1970 in Warsaw. more…

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Submitted on August 05, 2018

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