Zemsta Page #4

 
IMDB:
5.8
Year:
1957
93 min
33 Views


In such hard times such beating

is a gift from God.

We'll profit

from every punch.

- All know you got mugged.

- Not that bad.

- You've been beaten.

- Not really.

What? They were

obviously beating you.

- Just some elbows...

- Nothing to complain about.

- An elbowing doesn't tickle.

- Well, true.

- It wasn't a caress.

- Well, true.

- So it's a beating, then.

- Certainly.

If somebody takes a stick

to your back, you're being beaten.

And if you're being beaten,

you'll end up beaten up.

You're right.

Being beaten is beaten up.

So you were beaten,

that is obvious.

It seems so.

- Injured?

- Not at all!

- Not at all, my friend?

- Oh, no.

Not a scratch? A bruise?

- We might have one or two.

- And a scratch, obviously,

is a small wound.

Well, yes.

Small or large,

a wound is a wound.

And where do wounds come from?

From an injury.

So if somebody has a wound,

his body is injured.

A scratch is an obvious wound.

So you are wounded,

deprived of bread and work.

Oh, come on!

Deprived, my darling.

You won't get any work from me.

Injured, deprived of bread

and work,

- a wife, 4 children...

- No children.

- No wife.

- You're young. You can have them.

- True enough.

- The complaint is finished.

You will testify that Cupbearer

tried to kill me. He went mad

- and shoot at me.

- I didn't see.

- Called for a gun.

- Didn't hear.

He called for a gun,

but to shoot a louse.

Shoot a louse...

Enough!

I'll find witnesses elsewhere.

Come here...

Closer.

Put down your mark.

Michal Kafar.

Down a bit.

Yes, yes!

Maciej Mietus.

Lovely!

There's money in it for you.

Cupbearer will have a fit.

I humbly request...

- What about our money?

- Cupbearer will pay for everything.

That's not right.

- You won't lose out.

- But we worked here...

Go with God,

or I'll throw you out!

- But our pay...

- Anyone would say!

Out, or I'll smash you!

God be with you,

my good men.

I will get rid of the Cupbearer

even if I have to

pawn my clothes.

He'll try to sue me...

but my plan

to steal the Widow Hanna

for my son will hurt him more

than any court sentence.

I'm exhausted,

I can hardly walk.

What a workout!

I fought like the devil!

I'm barely alive!

Order some wine,

good wine.

My mouth is dry

and I'm all sweaty.

- Who could ever appreciate that?

- I saw what you did.

You did?

- Wasn't I amazing?

- Amazing at hiding.

A good warrior

can fight anywhere.

What nerve!

It took a lot of nerve

to fight so fiercely.

You're lying,

dear, dear sir.

You've got to hear this.

Trying to take the scaffold,

I leapt so nimbly

I landed on the other side.

Surrounded by

thousands of masons,

Rate this script:0.0 / 0 votes

Antoni Bohdziewicz

Antoni Bohdziewicz (September 11, 1906 – October 20, 1970) was a Polish screenplay writer and director, best known for his 1956 adaptation of Zemsta by Aleksander Fredro. Bohdziewicz was born in the city of Vilna (modern Vilnius), then part of the Russian Empire. In 1928, he graduated from the Technical Faculty of the Warsaw University of Technology and was simultaneously studying at the Faculty of Humanities of the Stefan Batory University. In 1928, he became a speaker at the newly established branch of the Polish Radio in his native city. In 1931 however he obtained a state scholarship and left for France. In Paris he joined the prestigious Ecole Technique de Photographie et de Cinématographie, where he also made his first documentaries. In 1935, he returned to Poland and worked as a journalist and cameraman for the state-owned Polska Agencja Telegraficzna Film Chronicle (PAT), the most popular newsreel in Poland. He also worked as a journalist and columnist for the "Pion" weekly. In late 1930s he made numerous documentaries for the PAT agency, as well as for the SAF film studio. In 1939, he began working on his first feature film Zazdrość i medycyna, based on a novel by Michał Choromański. However, the shooting was interrupted by the outbreak of the Invasion of Poland (1939). During World War II he was an active member of the Home Army and collaborated with the Bureau of Information and Propaganda as the head of the photo and film department. In 1943, he also started a Tres photographic studio in Warsaw, which became a clandestine outpost of the Home Army. During the Warsaw Uprising he became the head of the group of cameramen to prepare daily newsreels and was one of the people to prepare Warszawa walczy, a documentary filmed and shown entirely in besieged Warsaw. After the war he continued his career in the same role and became one of the first members of the Polish Film Chronicle (PKF) company. Working in Kraków, already in March 1945 he started a Film Atelier for the Youth, the first film school to be opened in Poland after the end of the German occupation. In December of that year he converted his atelier into a regular study, which became a direct predecessor of the Kraków Film School. In 1948 he moved to Łódź, where he became the chairman of the Department of Direction of the National Film School. In that role he became a teacher of several generations of Polish film directors. He also remained an active director himself. His first film, 2*2=4, was released already in 1945 and was among the first feature films to be shot in Poland after World War II. Between 1956 and 1962 Bohdziewicz served as an artistic director of the Droga Film Team and then the TOR Film Studio (1968–1970). Simultaneously he was also a teacher at the Brussels-based Institut National Supérieur des Arts du Spectacle. He died October 20, 1970 in Warsaw. more…

All Antoni Bohdziewicz scripts | Antoni Bohdziewicz Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Zemsta" Scripts.com. STANDS4 LLC, 2024. Web. 6 Jun 2024. <https://www.scripts.com/script/zemsta_23968>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Zemsta

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.