Zemsta Page #2

 
IMDB:
5.8
Year:
1957
93 min
33 Views


- At the Widow Hanna.

- I see.

- Wait for her here.

Say no more.

It will be settled within the hour.

- You know how grateful I can be.

- I hope I'm about to find out.

He's a madman.

Very volatile.

If I didn't have him on a tight leash,

I don't know what would happen.

There is no time to spare.

I'll get the Widow for him.

She's not my type, anyway.

But Klara... oh,

lovely Klara will be mine.

I know she is dreaming

about me...

We'll populate the world

with lots of little Papkins!

But the Cupbearer

stands like a wall between us.

I will give her a sign.

I'll sing a sweet song

in her little ear...

with my angelic voice.

Oh my dear daughter,

what are those whispers in your room?

Mother, it was the cat,

lapping its milk.

It was the cat

making noises in my room.

Oh my dear daughter,

what are those knocks in your room?

Mother, it was the cat,

hunting for mice.

It was the cat

making noises in my room.

Oh my dear daughter,

does your cat have legs?

Mother, he does,

and silver spurs too.

It was this cat

making noises

in my room.

I told you, it's either a bunch of cats,

or Papkin has showed up.

Madam, you are an angel!

A colossal embodiment

of earthly virtue,

draped in grace and charm.

Allow my lips to leave

their delicate impress

on your snowy white hands.

I am your humble servant,

and at your service.

- What brings you to us?

- A wonderful event!

- What is this?

- Your marriage.

Mine?

I have just hosted Lord Pembroke,

several princes,

a dozen chamberlains,

and a few elegant ladies at a supper.

- What do they say?

- Of course you, fair lady.

Everyone has been whispering

that the Widow Hanna

has a suitor.

But who is it?

Everyone compliments you

on your choice.

- Now I understand...

- He is wealthy, and well bred.

The Cupbearer has sent him.

What irony. This is exactly

what I've been waiting for!

For God's sake,

she's fallen in love!

Look how she sighs and glances

at me. Is she mad?

I'm irresistible, I know.

Like all women,

she must fall

in love with me.

It's my curse.

But this is no laughing matter.

The Cupbearer

will have my head.

No, I can't let it go on

any longer.

May I then congratulate

the Cupbearer on the good news?

So he's the one?

Why do you doubt me?

Have I ever lied to you?

- Yes, you have.

- But this time...

- I'm telling the truth.

- Why such curiosity?

What if the Cupbearer,

madly in love, charmed with your beauty,

fell down on his knees

and begged for your hand?

He would be happy

with the answer.

How can you be so calm when

the Notary has just

declared war on us?

He'll see for himself

who he's tangling with!

Go stop them!

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Antoni Bohdziewicz

Antoni Bohdziewicz (September 11, 1906 – October 20, 1970) was a Polish screenplay writer and director, best known for his 1956 adaptation of Zemsta by Aleksander Fredro. Bohdziewicz was born in the city of Vilna (modern Vilnius), then part of the Russian Empire. In 1928, he graduated from the Technical Faculty of the Warsaw University of Technology and was simultaneously studying at the Faculty of Humanities of the Stefan Batory University. In 1928, he became a speaker at the newly established branch of the Polish Radio in his native city. In 1931 however he obtained a state scholarship and left for France. In Paris he joined the prestigious Ecole Technique de Photographie et de Cinématographie, where he also made his first documentaries. In 1935, he returned to Poland and worked as a journalist and cameraman for the state-owned Polska Agencja Telegraficzna Film Chronicle (PAT), the most popular newsreel in Poland. He also worked as a journalist and columnist for the "Pion" weekly. In late 1930s he made numerous documentaries for the PAT agency, as well as for the SAF film studio. In 1939, he began working on his first feature film Zazdrość i medycyna, based on a novel by Michał Choromański. However, the shooting was interrupted by the outbreak of the Invasion of Poland (1939). During World War II he was an active member of the Home Army and collaborated with the Bureau of Information and Propaganda as the head of the photo and film department. In 1943, he also started a Tres photographic studio in Warsaw, which became a clandestine outpost of the Home Army. During the Warsaw Uprising he became the head of the group of cameramen to prepare daily newsreels and was one of the people to prepare Warszawa walczy, a documentary filmed and shown entirely in besieged Warsaw. After the war he continued his career in the same role and became one of the first members of the Polish Film Chronicle (PKF) company. Working in Kraków, already in March 1945 he started a Film Atelier for the Youth, the first film school to be opened in Poland after the end of the German occupation. In December of that year he converted his atelier into a regular study, which became a direct predecessor of the Kraków Film School. In 1948 he moved to Łódź, where he became the chairman of the Department of Direction of the National Film School. In that role he became a teacher of several generations of Polish film directors. He also remained an active director himself. His first film, 2*2=4, was released already in 1945 and was among the first feature films to be shot in Poland after World War II. Between 1956 and 1962 Bohdziewicz served as an artistic director of the Droga Film Team and then the TOR Film Studio (1968–1970). Simultaneously he was also a teacher at the Brussels-based Institut National Supérieur des Arts du Spectacle. He died October 20, 1970 in Warsaw. more…

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Submitted on August 05, 2018

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