Three Strangers Page #4

Synopsis: According to a legend, if three strangers gather before an idol of Kwan Yin (the Chinese goddess of fortune and destiny) on the night of the Chinese New Year and make a common wish, Kwan Yin will open her eyes and her heart and grant the wish. In London 1938 on the Chinese New Year, Crystal Shackleford has such an idol and decides to put the legend to the test. She picks two random strangers off the street, and puts the proposition to them. They decide that an ideal wish would be for a sweepstakes ticket they buy equal shares in to be a winner. After all, everyone needs money and a pot is very easy to divide equally, right?
Director(s): Jean Negulesco
Production: Warner Home Video
 
IMDB:
7.0
APPROVED
Year:
1946
92 min
121 Views


Is worth the years

of fainting.

It's stupid.

At least 10 years

of fainting.

What is it?

We're closed.

Woman:

is Johnny there?

Oh, Johnny.

Johnny, Johnny, Johnny.

You got to come back

to the room.

I will, I will,

I will,

But not before

I've finished my drink.

The Chinese say that haste

is the one unpardonable sin.

Oh, Alfred, anything you do

for this lady, you do for me.

It's a very special

friend of mine,

As the best friendships are made

on short acquaintance

And last a very

brief time.

This is miss Icy.

This is Mr.

Alfred Bluecrown,

my favorite

innkeeper.

Pleased to

meet you, miss.

Same here.

Johnny, you shouldn't have done it.

Gabby's awful sore. Why

did you slip out on him?

Oh, I'd become

unpleasantly aware

Of my presence

in that room,

So when Gabby went

out in the hall,

I went outside

to lose it.

How did you find me?

I looked in 10 pubs.

Sorry for

the other night.

Anyway, you didn't

get in no trouble?

No, I was but a face

in the crowd.

That's not quite true-

I- I was recognized,

I was picked out

from the rest.

What?

Oh, not by a bobby.

Not even by a person,

for that matter.

It was ordained by fate

In the image of

a Chinese goddess.

You've had too much

to drink.

We're going back

to the room.

Shh! Johnny.

Shh.

Good evening,

Mrs. Proctor.

Good

evening.

You know, Gabby will be

so glad to see us.

Gabby.

It's me, Icy.

It's me,

Johnny.

Yes, he'll be

very happy.

Very happy...

Happy Chinese

new year to you, sir.

Now where have

you been?

Celebrating.

Where was he?

Blue crown.

And that was only

the last stop.

You're drunk.

Taken in sufficient

quantities,

Liquor will make you

intoxicated.

Do you want to put the

rope around your neck?

And mine?

And Fallon's?

No, that's

the hangman's job.

He'll get paid

for it.

Johnny.

You always-

Leave me alone!

I didn't want

to do it,

But he don't learn!

Johnny, Gabby don't

want to hurt you.

We ain't stopping you

from drinking.

You can drink all

you want to in here.

Only, please, Johnny,

You mustn't get drunk

on the outside.

Mustn't get drunk

on the outside.

It's a wonder we

don't go batty,

What with you

on our hands,

In a fix

like this.

In times of trial

a dictator says,

"This, too,

shall pass away. "

Is that of any

consolation to you, Gabby?

I can't even trust you

when I turn me back.

Any more gin left?

As if you didn't have

An whole distillery

in your belly as it is.

From now on, you're not

setting foot outside this room.

You ought to be ashamed.

Fallon gives us money

to keep out of sight.

You have to get drunk

on it and show yourself.

Fallon.

What's it to me?

What's it to you?

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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