Three Strangers Page #3

Synopsis: According to a legend, if three strangers gather before an idol of Kwan Yin (the Chinese goddess of fortune and destiny) on the night of the Chinese New Year and make a common wish, Kwan Yin will open her eyes and her heart and grant the wish. In London 1938 on the Chinese New Year, Crystal Shackleford has such an idol and decides to put the legend to the test. She picks two random strangers off the street, and puts the proposition to them. They decide that an ideal wish would be for a sweepstakes ticket they buy equal shares in to be a winner. After all, everyone needs money and a pot is very easy to divide equally, right?
Director(s): Jean Negulesco
Production: Warner Home Video
 
IMDB:
7.0
APPROVED
Year:
1946
92 min
121 Views


that can wait.

Until the morning,

at any rate.

Morning? But, Crystal,

In view of everything

that's happened between us-

Everything that happened was

my fault. I know that now.

I'm terribly sorry

for what I did,

And I want to ask

for your forgiveness.

I don't hold anything

against you, Crystal.

As far as I'm concerned, the

past is over and forgotten.

Then let me make it

up to you

For all the selfish,

hateful things that I did.

I've missed you terribly,

and you must have missed me.

Don't, Crystal.

Because in your heart-

You're making it very difficult for me.

It's best

I speak plainly.

What you want

is impossible.

All that's over

and done with.

We needn't go into reasons.

You know them as well as I do.

Reasons? B-But I'm

a part of your life.

You can't change that.

During the time

you've been away,

I've found other interests, a new life.

I'm only

staying here

Until my new appointment's

been confirmed.

I'm up for

an important post

With the dominions

office.

You're not telling me

everything, are you?

Well, as a matter

of fact-

Who is she? I know

there's someone.

Yes, there is. She's

a girl I met in Canada,

One of the old families of Montral.

She came back

with me.

Aren't you afraid

of a scandal?

Scandal?

Yes. Suppose the

dominions office

Would get wind of

this... outside interest?

But you don't

understand, Crystal.

Janet isn't

an outside interest.

I want to marry her.

Isn't that a little

premature

Inasmuch as you have

one wife already?

Oh, legally we may

still be married,

But we haven't lived

together for a long time.

Under the circumstances,

does it seem unreasonable

That we should arrange

for a divorce?

Does she know you're

a married man?

Naturally.

Oh, but of course

you'd tell her.

You're so honorable.

Oh, please, Crystal,

don't let's have any scenes.

I've had enough of them

to last the rest of my life.

You like everything

to be sugarcoated!

"Civilized" is the

word you always use.

At least there's

no reason why

We shouldn't be kind

to each other.

Kind?

Do you imagine you're being kind to me?

After hoping

and praying-

Yes, praying that

you'd come back

And that we could be

together again.

This is all you

have to say to me,

That you want to

marry somebody else.

You think I'd give you up

just like that? You're wrong!

I'll never give you a

divorce as long as you live!

In that case,

I don't think

There's anything more

for us to say.

Still Kwan Yin, eh?

Still an idol

instead of a soul.

How little you've

changed, Crystal,

In spite of all

your fine words.

Well, Alfred,

I disagree with

this boy.

It's very simple: a

life of good drinking

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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