Three Strangers Page #5

Synopsis: According to a legend, if three strangers gather before an idol of Kwan Yin (the Chinese goddess of fortune and destiny) on the night of the Chinese New Year and make a common wish, Kwan Yin will open her eyes and her heart and grant the wish. In London 1938 on the Chinese New Year, Crystal Shackleford has such an idol and decides to put the legend to the test. She picks two random strangers off the street, and puts the proposition to them. They decide that an ideal wish would be for a sweepstakes ticket they buy equal shares in to be a winner. After all, everyone needs money and a pot is very easy to divide equally, right?
Director(s): Jean Negulesco
Production: Warner Home Video
 
IMDB:
7.0
APPROVED
Year:
1946
92 min
125 Views


Plenty, that's what it is.

One man by himself

can hold out.

But when there's

two or 3,

They can be played

against each other.

And one of them

always spills.

Isn't it lucky

I'm innocent?

And if I'm known

to be innocent,

Will I then hang

quite as high

As you or Fallon?

If you show yourself

And get picked up

and spill-

If we get nabbed

on account of you-

Yeah?

I'll swear to it you're

as guilty as Fallon or me.

You'll hang,

I'll see to that.

Gabby, I'll get him

some gin.

He can have it in here, where

you can keep an eye on him.

It's the last time

I get into a fix

Where I have to play

nursemaid to a bloomin' idiot.

Where will you

get the money?

Same place

I got it before.

Fallon ain't gonna

keep forking out money

To keep him swimming

in gin!

He wants an alibi

fixed, don't he?

Well, he'll have to

fork out.

If you put it

that way to Fallon,

he's gonna remember it

when they turn him loose.

That will be my lookout.

I'll drop by with

the gin in the morning.

Yes, please, if it isn't

too much trouble.

It ain't no trouble.

And the crown

intends to prove

That police officer brown,

hearing cries for help

From the night watchman,

Donald Frye,

Entered the building

and called upon Bertram Fallon

And the two persons unknown

to surrender,

And thereupon

was brutally slain.

And the crown intends to prove

that the hand that fired the shot

Which killed police officer

brown was Bertram Fallon's-

And that Bertram Fallon

is guilty of murder.

I call Donald Frye.

The prisoner

may sit.

Is it true,

Mr. Frye,

That on the aforementioned night

At the aforementioned

address,

You were attacked

and beaten by two men?

I was.

Would you be able

to identify them?

One of them I could.

Is he in

this courtroom?

He is.

Would you point

him out, please?

Him in the dock,

that's the one!

That is all,

Mr. Frye.

I call officer

Cummings.

"Tell us what happened,

officer Cummings,

"From the time you heard

patrolman Brown's whistle

"Until you came

upon his body?

"Answer:
first thing,

I blew my own whistle,

"Then I ran towards

officer Brown's whistle.

"Halfway up the block I

heard pistol shots, 3 reports.

"When I got to the

end of the block,

"Two suspicious-Looking

characters came around the corner,

One pulling the other

one along, helping him. "

Is that the way

it was?

You don't remember

any of it?

No, I don't.

Not any.

It's like it says

in the paper.

"The one who was

doing the helping

"Let go of the other,

and then sprinted off.

"So I grabbed

onto the other one.

"He seemed like something

was the matter with him,

"Like he might have been hurt, disabled,

Or maybe he was

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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