The Unknown Man Page #5

Synopsis: Prominent attorney Brad Mason takes on the defense of Rudi Walchek, a young hit-man hoodlum accused of murder. Convinced of the youthful thug's innocence, Mason get him acquitted. Later, he learns from the murder-victim's father that Walchek is a low-level member of a protection-racket gang and was undoubtedly guilty. Mason is anxious to get the gang-leader, but when he discovers it is the eminently respected head of the city's Crime Commission, he feels that a conviction in a court-of-law would be impossible. In a rage, he kills the man, but all evidence, including the murder weapon points to Walchek. When the latter is again brought to trial, Mason, although he senses a higher justice is at work, feels he must defend him with the best of his ability.
Director(s): Richard Thorpe
Production: MGM
 
IMDB:
6.6
APPROVED
Year:
1951
86 min
43 Views


He's as guilty as Cain

and he'll go to the chair.

"The case of the people

versus Rudi Wallchek."

"His Honor, judge Holbrook presiding."

Be seated.

"For the people:

Joseph Bucknor, District Attorney."

"For the defendant:

Dwight Bradley Masen."

"The case looked solid."

"One night in his father's

shop on Cedar Street

"Young Johnny Hulderman

had come to a sudden end."

"It took the doctor from the Coroner's

office an hour to explain to the jury."

"In medical language that

Johnny was stabbed to death."

"Stabbed, said the medic by a

6" dagger, triangular shaped."

"Sure we'd frisked Wallchek's

place without finding it."

"But dagger or no dagger, that

young man's goose was cooked."

"A plain clothes man saw him come out

of the shop at the time of the murder."

"No ifs or buts."

"And old man Hulderman,

Johnny's father."

"Sure as there are cops and

robbers, he'd seen him come in."

"The motive?"

"Robbery."

And 26 dollars were gone from the till?

Is that right?

Is that correct, Mr Hulderman?

And 45 cents.

How was that?

Louder please, Mr Hulderman.

Oh .. and forty-five cents!

Alright.

Now with the court's permission I'd like

you to go back to the beginning, please.

Tell us in your own words what happened

that night after you went to bed.

Johnny was working late in the shop.

And I was in bed, just nodding off.

My room was at the back, like I said.

When I heard a knock on the door.

Which door was that?

The front door, sir.

Johnny had locked and

bolted it an hour before.

Well .. like I told you.

I saw Johnny go to the door and ..

How did you see him?

Through the glass door, from my bed.

Mr Hulderman, what

kind of glass is that?

Just plain window glass.

Alright.

What happened then?

What did you see next?

I saw Johnny let the man in.

I know the man.

I know him well, because ..

Because three weeks ago I fixed

a new lock on the door of his place.

I'm a locksmith you see, and ..

Talk into the microphone, please.

Oh yes, sir.

Well .. it was the same man.

I'd know him anywhere.

I'd know him for sure.

Right, you recognised the man.

Did you get out of bed?

No, I laid there watching

him and Johnny talk for a bit.

I figured he'd come about

another repair job.

Strike that out.

The conclusion of a

witness is not evidence.

The court allows for the fact ..

That the counsel for the defence is a

stranger to our procedures here, but ..

There are limits.

I am deeply obliged Your Honor.

Thank you, I should have objected.

Proceed.

I must have dozed off.

You mean you fell asleep?

Yes, sir. I had taken a

pill when I went to bed.

I had not been sleeping

well and the Doc, he ..

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Ronald Millar

Sir Ronald Graeme Millar (12 November 1919 – 16 April 1998) was an English actor, scriptwriter, and dramatist.After Charterhouse and studying at King's College, Cambridge, for a year, Millar joined the Royal Navy in 1940, during the Second World War. He established himself as a playwright after the war and, between 1948 and 1954, lived in Hollywood, where he wrote scripts for MGM. On his return to Britain, he successfully adapted several C. P. Snow novels – and, in 1967, William Clark's novel Number 10 – for the stage. He also wrote the book and lyrics for the musical Robert and Elizabeth. He acted as speechwriter for three British prime ministers, including Margaret Thatcher, for whom he wrote the famous line "The lady's not for turning."Millar was the son of a professional actress, Dorothy Dacre-Hill. Prior to becoming a full-time dramatist and then a speechwriter, Millar acted in a number of West End productions during and after World War II, in the company of luminaries as Ivor Novello, Alastair Sim and John Gielgud. He also appeared in the 1943 war film We Dive at Dawn directed by Anthony Asquith. One of his most well-received productions was Abelard and Heloise featuring Keith Michell and Diana Rigg. more…

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Submitted on August 05, 2018

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    "The Unknown Man" Scripts.com. STANDS4 LLC, 2024. Web. 8 Jun 2024. <https://www.scripts.com/script/the_unknown_man_21550>.

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