The Unknown Man Page #4

Synopsis: Prominent attorney Brad Mason takes on the defense of Rudi Walchek, a young hit-man hoodlum accused of murder. Convinced of the youthful thug's innocence, Mason get him acquitted. Later, he learns from the murder-victim's father that Walchek is a low-level member of a protection-racket gang and was undoubtedly guilty. Mason is anxious to get the gang-leader, but when he discovers it is the eminently respected head of the city's Crime Commission, he feels that a conviction in a court-of-law would be impossible. In a rage, he kills the man, but all evidence, including the murder weapon points to Walchek. When the latter is again brought to trial, Mason, although he senses a higher justice is at work, feels he must defend him with the best of his ability.
Director(s): Richard Thorpe
Production: MGM
 
IMDB:
6.6
APPROVED
Year:
1951
86 min
43 Views


Three meals a day and all

the smokes you can buy.

They even filled two teeth for me, here.

Did they?

The guy said they ought to come out but

figured maybe he could save them.

Just a chance, he says.

He did. He saved them.

Good.

A crazy guy.

I don't know why he troubled.

I don't know why you trouble, either.

Did you do it?

What do you think?

I don't know yet.

Sure you don't. How could you?

So why should you care?

Why have you come here anyway? Why?

Kellwin says you're innocent.

You believe Kellwin?

Not necessarily.

He knows you. I don't.

He could still be wrong.

No, you're different.

You're not like Kellwin.

New to this game, aren't you?

What game?

Crime.

Yes, I'm new to it.

I'm not.

You have a record?

Long as your arm. Larceny,

car theft, assault and battery.

Twice.

That shakes you, doesn't it?

I've been on the grift

since I was a kid.

How did you get started?

My Pop died when I was six, I guess.

Yeah, I guess that started me.

I liked my old man.

Ma was no good, but he was.

We got along just fine.

One day, he went out

and got himself killed.

Just a smash-up.

They said he was quite a mess

when they pulled him out.

Quite a mess, they said.

That's sob stuff.

Look, you'd better get of here mister

before you get your fingers burned.

Look, you want the truth,

the whole truth, and nothing but?

Alright, I'll tell you the truth.

A guy gets cut to bits on Cedar Street.

Okay, that's too bad.

Too bad for me.

Because I'm in bed and

asleep when it happens.

In bed and asleep, see.

But I got no proof.

No proof, no alibi, nothing.

Just my word.

My word? Oh brother, is that a laugh.

Because who is taking it?

The cops, the D.A? You?

Are you going to believe

me, with my record?

Are you crazy?

For a guy like me mister,

there ain't no justice.

Go home to bed.

See this little bean-shooter?

It's a Czechoslovakian Czeska.

Only been fired once.

And it shouldn't have been, because

it went through the mail man.

The killer got sentenced this morning.

What else have you got in here?

This knife did for Marjorie Oldfield.

He wanted to divorce. She wouldn't.

This little hatchet was Mrs Thompson's

idea for dropping the curtain on hubby.

If you look close, you can

still see the blood on it.

Want to look close?

All these milestones in

your brilliant career.

Morbid isn't it.

Uhoh, no luck.

We got a mouse here, name of Molly.

She's quite a character.

She eats all my doughnuts

and search warrants.

Only moll that ever got away from me.

I'll get her one of these days, though.

How did you make out

with Wallchek upstairs?

I asked you at dinner whether

you thought he was guilty.

What do you think, Joe?

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Ronald Millar

Sir Ronald Graeme Millar (12 November 1919 – 16 April 1998) was an English actor, scriptwriter, and dramatist.After Charterhouse and studying at King's College, Cambridge, for a year, Millar joined the Royal Navy in 1940, during the Second World War. He established himself as a playwright after the war and, between 1948 and 1954, lived in Hollywood, where he wrote scripts for MGM. On his return to Britain, he successfully adapted several C. P. Snow novels – and, in 1967, William Clark's novel Number 10 – for the stage. He also wrote the book and lyrics for the musical Robert and Elizabeth. He acted as speechwriter for three British prime ministers, including Margaret Thatcher, for whom he wrote the famous line "The lady's not for turning."Millar was the son of a professional actress, Dorothy Dacre-Hill. Prior to becoming a full-time dramatist and then a speechwriter, Millar acted in a number of West End productions during and after World War II, in the company of luminaries as Ivor Novello, Alastair Sim and John Gielgud. He also appeared in the 1943 war film We Dive at Dawn directed by Anthony Asquith. One of his most well-received productions was Abelard and Heloise featuring Keith Michell and Diana Rigg. more…

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Submitted on August 05, 2018

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    "The Unknown Man" Scripts.com. STANDS4 LLC, 2024. Web. 17 May 2024. <https://www.scripts.com/script/the_unknown_man_21550>.

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