The Scavengers Page #4

Synopsis: This low-budget Asian-set adventure concerns The reformed smuggler Stuart Allison finds his missing wife Marion in Hong Kong. Marion has fallen in with a bad crowd and is involved with narcotics and stolen government bonds, requiring Stuart to extricate her from her woes.
Director(s): John Cromwell
Production: Valiant Films
 
IMDB:
5.8
Year:
1959
79 min
42 Views


I think I'd better tell

you my little story.

Have you ever heard of

a Chinese Nationalist

General named Wu Tra Lin?

- Wasn't he in command

of the Hunan Army

in the last days of

government on the mainland?

- You have a good memory.

(whining baby)

As you can imagine,

the atmosphere

prevailing at the time

was one of utter

confusion and panic.

All hopes of victory

were abandoned.

The only remaining hope was

to get out of the province,

out of the country all together.

Hong Kong.

Macao.

Singapore.

Taipei.

Manila.

The government of course

was moving to Formosa.

General Wu was given the task

of supervising the evacuation

of government and personnel

and property in his area.

And this matter, acquitted

himself brilliantly,

which is more than can be said

of his military activities.

Fortunately, several

months later in Formosa,

when the government auditors

had had sufficient time

to take stock of things,

it was discovered

that somewhere along the line,

General Wu or some

members of his staff

had mislaid some

highly negotiable

foreign government bonds

and treasury certificates

worth about three

million U.S. dollars.

Of course an

investigation was made,

several members of General

Wu's staff were imprisoned,

some were shot.

But the bonds were never found.

The General was permitted to

resign from his commission.

- What's all this got

to do with Marion?

- After he resigned,

he went and lived in Japan.

He met Mrs. Allison there

about two years ago.

They have been very

close friends ever since.

- That hardly proves

she had anything to do

with stealing the bonds

or getting 'em out

of the mainland.

- No one claims that.

As a matter of fact, it has

been satisfactorily established

that the bonds never

left the mainland.

- So?

- I have reason to

believe that the bonds

were smuggled to Macao from

the mainland very recently.

I have reason to believe

that Mrs. Allison

came here to pick the things up.

The General has disappeared

from his residence in Kobe.

And Mrs. Allison, a

woman known to be without

any visible means of support

has to Hong Kong and Macao

with no apparent

purpose than to purchase

some very expensive

articles of oriental art.

An old hobby of

hers, Mr. Allison?

- I never noticed particularly.

You seem to be pretty well

posted on this business.

- Not as well as I

would like it to be.

There are some very

puzzling questions.

Why did General Wu

wait for eight years

to get the bonds

out of the mainland?

It is now a much riskier affair

than it was eight years ago

when the People's

Government Secret Police

was not so well organized.

Another puzzle.

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Eddie Romero

Edgar Sinco Romero (July 7, 1924 – May 28, 2013) was a Filipino film director, film producer and screenwriter. Romero was named National Artist of the Philippines in 2003, and his body of work delved into the history and politics of his country. His 1976 film Ganito Kami Noon…Paano Kayo Ngayon?, set at the turn of the 20th century during the revolution against the Spaniards and, later, the American colonizers, follows a naive peasant through his leap of faith to become a member of an imagined community. Aguila situated a family’s story against the backdrop of Filipino history, while Kamakalawa explored the folklore of prehistoric Philippines. Banta ng Kahapon, his "small" political film, was set against the turmoil of the late 1960s, tracing the connection of the underworld to the corrupt halls of politics. His 13-part series Noli Me Tangere brought Philippine national hero José Rizal's novel to a new generation of viewers. Romero directed some critically acclaimed war films in the early 1960s, such as Lost Battalion (1960), The Raiders of Leyte Gulf (1963) and The Walls of Hell (1964). Along with Filipino-language (Tagalog language) films, he made English-language films that became cult classics, like Black Mama, White Mama, Beast of the Yellow Night, The Woman Hunt, Beyond Atlantis and The Twilight People and worked with American actors like John Ashley and Pam Grier. Romero's films, the National Artist citation stated, "are delivered in an utterly simple style – minimalist, but never empty, always calculated, precise and functional, but never predictable." Quentin Tarantino drew on Twilight People as an inspiration for his "grindhouse" homages.Romero is especially known to horror film fans for his three "Blood Island" films from the late 1960s - Brides of Blood (1968), Mad Doctor of Blood Island (1969) and Beast of Blood (1970), which he directed and co-produced. Romero later called his American-financed “cult” films – including the “Blood Island” series – “the worst things I ever did”. When the kung fu craze started in the 1970s, Romero turned his back on the international market for Filipino films which he had virtually created. After 1976, he made smaller, more personal "art" films in Tagalog.Romero was born on July 7, 1924 to Jose E. Romero and his first wife, Pilar Guzman Sinco. Married to Carolina Gonzalez, Romero was also for a time the partner of actress Mila del Sol. He had three children: film director and MTRCB board member Joey Romero, Ancel Romero and Leo Romero. Eddie Romero was an alumnus of Silliman University. He died on May 28, 2013. He had been suffering from prostate cancer when he developed a blood clot in his brain more…

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Submitted on August 05, 2018

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