The Scavengers Page #5

Synopsis: This low-budget Asian-set adventure concerns The reformed smuggler Stuart Allison finds his missing wife Marion in Hong Kong. Marion has fallen in with a bad crowd and is involved with narcotics and stolen government bonds, requiring Stuart to extricate her from her woes.
Director(s): John Cromwell
Production: Valiant Films
 
IMDB:
5.8
Year:
1959
79 min
43 Views


What caused Mrs.

Allison to throw in

her lot with General Wu?

- That's pretty obvious.

- The bonds?

I don't think so.

- What do you care O'Hara?

All you want to do is get

your hands on the bonds.

- You don't know

that for a fact.

I have told you all this

in the hope that I

might persuade you

to join forces with me.

- I'm not interested.

- But you are still determined

to get your wife out of this?

- Yes.

- Then you really

don't have any choice

in the matter, do you?

(upbeat, bouncy

orchestral music)

- Oh Mr. Allison, I forgot.

Mr. O'Hara is waiting

for you upstairs.

(bouncy exotic music)

(slow jazz music)

- How's the head?

- Fine.

Headache's all gone.

Have you found her?

She's staying at the Astor Hotel

under her maiden name.

She lives alone.

She's had no contact

worth investigating

ever since her arrival.

The curios she bought from Macao

are now in the Manzi's

Storage Company

in Gilman Street.

- Do you think the

bonds might be there?

- Yours is as good

a guess as any.

- And this Chinese General

you said disappeared,

do you think he might be dead?

- If he is dead,

someone has killed him.

And that someone

has dealt himself

into our little game.

In any case, I refuse to believe

that she's playing a lone hand.

- Well now, what do you propose

we do about it?

Just sit and wait.

- We can't afford to do that.

We have to stir

things up a little.

And see what happens.

I want you to telephone her.

Insist on seeing her.

Make an appointment with her.

Tomorrow.

Away from her hotel.

- What's the idea?

- A shot in the dark.

She might panic.

And try to get to her people.

Or if not.

I could go over her room

while she's out

meeting with you.

Call her up.

It's only a five minute

walk to her hotel.

- Just one thing O'Hara.

I won't set her up

to be patsy for you

or anybody else.

Now you understand that?

- There's no need for

petty speeches, Allison.

We are going to work as a team

as long as it both suits us.

You know what I am.

I am a skip,

a lonely scavenger if you wish

like your wife and her friends.

You are an idealist.

The world that I

know, believe me,

that word is just as dirty.

My country has survived

for 4,000 years

until it was strangled

by idealists.

- Is he there?

- Yes.

Thank you very much

for the use of your--

- Hello?

I'd like to speak to Ms.

Marion Kramer, please.

Hello Marion, this is Stu.

I didn't think you knew

what happened to me.

- I just heard about

it from a friend.

No Stu, No.

It wouldn't do either

one of us any good.

I can't meet you.

It's out of the question.

(finger snapping)

All right, three o'clock.

I'll be there.

- So, you found her.

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Eddie Romero

Edgar Sinco Romero (July 7, 1924 – May 28, 2013) was a Filipino film director, film producer and screenwriter. Romero was named National Artist of the Philippines in 2003, and his body of work delved into the history and politics of his country. His 1976 film Ganito Kami Noon…Paano Kayo Ngayon?, set at the turn of the 20th century during the revolution against the Spaniards and, later, the American colonizers, follows a naive peasant through his leap of faith to become a member of an imagined community. Aguila situated a family’s story against the backdrop of Filipino history, while Kamakalawa explored the folklore of prehistoric Philippines. Banta ng Kahapon, his "small" political film, was set against the turmoil of the late 1960s, tracing the connection of the underworld to the corrupt halls of politics. His 13-part series Noli Me Tangere brought Philippine national hero José Rizal's novel to a new generation of viewers. Romero directed some critically acclaimed war films in the early 1960s, such as Lost Battalion (1960), The Raiders of Leyte Gulf (1963) and The Walls of Hell (1964). Along with Filipino-language (Tagalog language) films, he made English-language films that became cult classics, like Black Mama, White Mama, Beast of the Yellow Night, The Woman Hunt, Beyond Atlantis and The Twilight People and worked with American actors like John Ashley and Pam Grier. Romero's films, the National Artist citation stated, "are delivered in an utterly simple style – minimalist, but never empty, always calculated, precise and functional, but never predictable." Quentin Tarantino drew on Twilight People as an inspiration for his "grindhouse" homages.Romero is especially known to horror film fans for his three "Blood Island" films from the late 1960s - Brides of Blood (1968), Mad Doctor of Blood Island (1969) and Beast of Blood (1970), which he directed and co-produced. Romero later called his American-financed “cult” films – including the “Blood Island” series – “the worst things I ever did”. When the kung fu craze started in the 1970s, Romero turned his back on the international market for Filipino films which he had virtually created. After 1976, he made smaller, more personal "art" films in Tagalog.Romero was born on July 7, 1924 to Jose E. Romero and his first wife, Pilar Guzman Sinco. Married to Carolina Gonzalez, Romero was also for a time the partner of actress Mila del Sol. He had three children: film director and MTRCB board member Joey Romero, Ancel Romero and Leo Romero. Eddie Romero was an alumnus of Silliman University. He died on May 28, 2013. He had been suffering from prostate cancer when he developed a blood clot in his brain more…

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Submitted on August 05, 2018

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