The Scavengers Page #3

Synopsis: This low-budget Asian-set adventure concerns The reformed smuggler Stuart Allison finds his missing wife Marion in Hong Kong. Marion has fallen in with a bad crowd and is involved with narcotics and stolen government bonds, requiring Stuart to extricate her from her woes.
Director(s): John Cromwell
Production: Valiant Films
 
IMDB:
5.8
Year:
1959
79 min
42 Views


Thank you, Stu.

Ten o'clock.

- And she told you

nothing at all about

her business up here?

Not even indirectly?

- Not a thing.

All I know is she's in trouble.

You know what she's mixed up in,

don't you O'Hara?

- Trouble seems to be

her business, I think.

Some persons are born that way.

- O'Hara I have got to know.

- Keep your voice down please.

I hardly know you Mr. Allison,

but I wish you no ill.

Therefore, this is my advice.

Forget your wife.

Get out of Macao as

soon as possible.

Her illness is incurable.

I say this without malice.

Her addiction is only a symptom.

- I tell you what I'm gonna do.

I'm gonna meet her tonight,

and tomorrow I'm goin'

to Hong Kong with her.

- Then I can only

wish you good luck.

(church bells ringing)

(daunting orchestral music)

(knocking)

- Hello?

Anybody home?

Marion?

(daunting orchestral music)

- I'd stay right where

you are if I were you.

Dee, come into the front hall.

- [Stuart] Say look,

there's been a mistake.

And I'm quite sure.

- Put your hands on your head

and walk in there.

Slowly.

Straight ahead.

- [Stuart] Say look,

my name's Allison.

I can show you my

identification.

- Keep your hands

where they are.

- Now look, I can explain.

I was looking for my wife.

Your door was open.

- What might your

wife's name be?

- [Stuart] Marion A--

Marion Kramer.

- You'll have to do much

better than that ole boy.

I've never heard of either name.

- Look, I don't

care what you think.

I'm telling you it's a mistake.

Now if you don't believe

me, call the police.

- I'm afraid it won't be as

simple as that, Mr. Kramer

or whatever your name may be.

You see, the police in

this part of the world

are inclined to treat

Americans with kid gloves.

I rather fancy they think

the tourist rate will suffer

if they do otherwise.

I think he and I can take

care of this ourselves

very nicely, thank you.

Sit down.

- What is this a frame?

I suppose Marion's got

something to do with it?

(daunting, dramatic

orchestral music)

(smacking)

(dramatic orchestral music)

(boat horn blowing)

(baby grumbling)

- Good morning, Mr. Allison.

(man speaking in

foreign language)

Just something for your

headache, that is all.

You are fortunate.

You might have had a concussion.

Chew it.

- You found me?

- This is the home

of a cousin of mine

who works in the

Custom's Bureau.

- Did you know it was a trap?

- No, but you could call

it an educated guess.

Your wife returned to Hong

Kong on the ferry this morning.

Don't be foolish, my friend.

You are in no condition

to go anywhere.

I am sure Mrs. Allison

will remain in Hong Kong

for a little while yet.

In fact, I'm gambling on it.

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Eddie Romero

Edgar Sinco Romero (July 7, 1924 – May 28, 2013) was a Filipino film director, film producer and screenwriter. Romero was named National Artist of the Philippines in 2003, and his body of work delved into the history and politics of his country. His 1976 film Ganito Kami Noon…Paano Kayo Ngayon?, set at the turn of the 20th century during the revolution against the Spaniards and, later, the American colonizers, follows a naive peasant through his leap of faith to become a member of an imagined community. Aguila situated a family’s story against the backdrop of Filipino history, while Kamakalawa explored the folklore of prehistoric Philippines. Banta ng Kahapon, his "small" political film, was set against the turmoil of the late 1960s, tracing the connection of the underworld to the corrupt halls of politics. His 13-part series Noli Me Tangere brought Philippine national hero José Rizal's novel to a new generation of viewers. Romero directed some critically acclaimed war films in the early 1960s, such as Lost Battalion (1960), The Raiders of Leyte Gulf (1963) and The Walls of Hell (1964). Along with Filipino-language (Tagalog language) films, he made English-language films that became cult classics, like Black Mama, White Mama, Beast of the Yellow Night, The Woman Hunt, Beyond Atlantis and The Twilight People and worked with American actors like John Ashley and Pam Grier. Romero's films, the National Artist citation stated, "are delivered in an utterly simple style – minimalist, but never empty, always calculated, precise and functional, but never predictable." Quentin Tarantino drew on Twilight People as an inspiration for his "grindhouse" homages.Romero is especially known to horror film fans for his three "Blood Island" films from the late 1960s - Brides of Blood (1968), Mad Doctor of Blood Island (1969) and Beast of Blood (1970), which he directed and co-produced. Romero later called his American-financed “cult” films – including the “Blood Island” series – “the worst things I ever did”. When the kung fu craze started in the 1970s, Romero turned his back on the international market for Filipino films which he had virtually created. After 1976, he made smaller, more personal "art" films in Tagalog.Romero was born on July 7, 1924 to Jose E. Romero and his first wife, Pilar Guzman Sinco. Married to Carolina Gonzalez, Romero was also for a time the partner of actress Mila del Sol. He had three children: film director and MTRCB board member Joey Romero, Ancel Romero and Leo Romero. Eddie Romero was an alumnus of Silliman University. He died on May 28, 2013. He had been suffering from prostate cancer when he developed a blood clot in his brain more…

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Submitted on August 05, 2018

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