The Loved One Page #4

Synopsis: Newly arrived in Hollywood from England, Dennis Barlow finds he has to arrange his uncle's interment at the highly-organised and very profitable Whispering Glades funeral parlour. His fancy is caught by one of their cosmeticians, Aimee Thanatogenos. But he has three problems - the strict rules of owner Blessed Reverand Glenworthy, the rivalry of embalmer Mr Joyboy, and the shame of now working himself at The Happy Hunting Ground pets' memorial home.
Genre: Comedy
Director(s): Tony Richardson
Production: MGM Home Entertainment
  1 win & 1 nomination.
 
IMDB:
7.2
Rotten Tomatoes:
53%
NOT RATED
Year:
1965
122 min
339 Views


Yeah, that's right, D.J.

Yeah. What's that, D. J?

Yeah, but what about..?

No, D.J. You see, I thought that...

Yeah, D.J. I read you, D.J.

Yeah, yeah. Well, yeah, D.J.

I'll talk to you later, D.J.

I hate to break this up, but I've got

a meeting in 10 minutes, so see you later.

- You're beautiful there, baby. Beautiful.

- Just fine, Dusty.

See you later.

Harry.

D.J. Didn't buy it, huh?

Frank let you down, Harry.

He didn't bring him along fast enough.

You gotta get something

on the boards by Monday, right?

- That's right, Harry.

- Now, hold it. Hold it.

I think I've got a live one, here.

Doctors! Doctors are hot, right?

Okay, so how about a panel quiz show

called What's My Disease?

The contestant is wheeled in a kind

of shrouded cage. And then, there's a...

Hold it, Harry. Hold it.

You just don't get the message, baby.

You just don't get the message.

I mean, it's cutback time, Harry.

You know what I mean?

What..? What do you mean?

Hello? Let me talk to the Blessed Reverend.

This is his brother.

What? Yes, yes, I know that.

But this is urgent.

I don't care where he is,

I've got to talk with him.

Will you please put him on?

Yes, I'll wait.

You'll just have to be patient.

Hello? Yes? It's your brother, sir.

Will! Will! I'm all washed-up

here at the studio.

You've got to help me.

Please. Please, just give me

one more chance.

I won't let you down this time.

I promise you.

Perhaps there is something after all,

suitable to your particular talents.

- One last chance, Harry.

- Oh, that's great, Will.

I'll take anything, anything you say.

Wait a minute, Will.

I couldn't do that. Not that!

Take it, Harry, or leave it.

- I'll take it. I'll take it.

- And remember this, Harry...

...one word about my connection with that

place and you'll wish you were dead.

Oh, I'm so sorry. How stupid of me.

Never done such a thing before.

- Miss Benson.

- Hi.

- Oh, D.J. Jr.

- Oh, Frank.

How nice of you to stop by. I appreciate

that. Come on. Won't you come in?

D.J. Jr., I want you to see this. I've just

finished it. I'm rather pleased with it.

I want to see that some time.

I want very much to see that.

- Go right in.

- It's the threshold of a new period for me.

Yeah. I am very anxious

to see that, Frank.

D.J. Jr., there's something

I want to ask. It's a bit odd.

I went to my office this morning

and there was a chap there.

And a piece of paper pinned on the door

with a name something like Lorenzo Medici.

Oh, yeah, Frank, that's right. Only, look,

Frank, he said that it's Medici, like that.

And how you say it,

kind of sounds like a wop.

And Mr. Medici is D.J.'s son-in-law,

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Terry Southern

Terry Southern (May 1, 1924 – October 29, 1995) was an American novelist, essayist, screenwriter, and university lecturer, noted for his distinctive satirical style. Part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village, Southern was also at the center of Swinging London in the 1960s and helped to change the style and substance of American films in the 1970s. He briefly wrote for Saturday Night Live in the 1980s. Southern's dark and often absurdist style of satire helped to define the sensibilities of several generations of writers, readers, directors and film goers. He is credited by journalist Tom Wolfe as having invented New Journalism with the publication of "Twirling at Ole Miss" in Esquire in February 1963. Southern's reputation was established with the publication of his comic novels Candy and The Magic Christian and through his gift for writing memorable film dialogue as evident in Dr. Strangelove, The Loved One, The Cincinnati Kid, and The Magic Christian. His work on Easy Rider helped create the independent film movement of the 1970s. more…

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Submitted on August 05, 2018

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    "The Loved One" Scripts.com. STANDS4 LLC, 2024. Web. 18 May 2024. <https://www.scripts.com/script/the_loved_one_12982>.

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