The Loved One Page #3

Synopsis: Newly arrived in Hollywood from England, Dennis Barlow finds he has to arrange his uncle's interment at the highly-organised and very profitable Whispering Glades funeral parlour. His fancy is caught by one of their cosmeticians, Aimee Thanatogenos. But he has three problems - the strict rules of owner Blessed Reverand Glenworthy, the rivalry of embalmer Mr Joyboy, and the shame of now working himself at The Happy Hunting Ground pets' memorial home.
Genre: Comedy
Director(s): Tony Richardson
Production: MGM Home Entertainment
  1 win & 1 nomination.
 
IMDB:
7.2
Rotten Tomatoes:
53%
NOT RATED
Year:
1965
122 min
337 Views


What is your field exactly?

Well, actually,

I haven't quite settled on anything, as yet.

- Really? Allan.

- Thought I'd...

...shop around a bit. See what's going.

There is one thing

I would say to you, sir.

There are certain jobs out here which

an Englishman simply does not take.

Hey, kid. Over here. Bring it here.

- That's right. Thank you.

- Hey, get those towels up here!

Hurry up, now!

Hey, pal.

Where's the switch for this thing?

Towels. Get the towels here,

you slowpoke.

- Hey, step up the towels over here.

- Thanks.

Turn up the heat, old chap.

Where are the towels?

So I told Her Majesty, I said, "Ma'am,

you've done us a very great honor."

"Not at all," she said. "Not at all.

I enjoyed the picture."

Of course, Edinburgh was with her,

you know.

She takes him along everywhere these days.

I don't know why.

- He is her husband, you know.

- Yes, I suppose that would account for it.

So I said, "Ma'am, I..."

You know, I believe

this damn thing's on fire.

- Oh, and what did she say?

- No. No. You listen!

Help! Help!

- Boy! Boy!

- Turn it off, Barlow.

- Help, Barlow! You'll sweat for this, Barlow.

- Shut it off!

How's Dusty here coming along

with the English bit, Frank?

I think it's coming along.

Don't you, Dusty?

Well, I sure hope I am.

Damn, if I don't.

Won't you take my seat?

Frank, I've got an idea.

Now, you're an artist, right?

Right. Supposing you get Dusty here...

...all dolled up English-style,

then you paint his picture in it.

I see the idea, Harry. It's a sort of...

...a character portrait

of an English gentleman.

- Uncle Frank! Uncle Frank!

- Oh, Dennis! Do come and look at this.

Though I say it myself,

I'm delighted with it.

I haven't been so excited

about anything for years.

I believe it's the beginning

of a new period for me. My best!

Do try and sit

on that horse properly, Dusty.

Sorry, Frank.

Don't be ashamed of displaying

of a certain arrogance.

It's perfectly hopeless, you know.

He simply hasn't got it in his blood.

Wait until the studio sees this, Dennis.

You going off somewhere, my boy?

Just for three or four days.

That's what I came to tell you about.

A kind of holiday, is it?

Oh, it's just another job.

Wait for me!

Come back!

- I don't like the look of this.

- Yes, it may get a bit dikey.

- Dicey.

- Dicey, if he decides to use the giant squid.

- What do you think we ought to do?

- Remember that girl?

- Do you think she'll do it?

- Maybe not.

But I've always said it's better

to bag a bird than go for a Burton.

Yeah. I think we're top of it now.

And you, Dust,

you are looking good in there.

Good day, everybody.

Hello? It's your father.

Yes, D.J. Oh, no, no, D.J. No sweat.

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Terry Southern

Terry Southern (May 1, 1924 – October 29, 1995) was an American novelist, essayist, screenwriter, and university lecturer, noted for his distinctive satirical style. Part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village, Southern was also at the center of Swinging London in the 1960s and helped to change the style and substance of American films in the 1970s. He briefly wrote for Saturday Night Live in the 1980s. Southern's dark and often absurdist style of satire helped to define the sensibilities of several generations of writers, readers, directors and film goers. He is credited by journalist Tom Wolfe as having invented New Journalism with the publication of "Twirling at Ole Miss" in Esquire in February 1963. Southern's reputation was established with the publication of his comic novels Candy and The Magic Christian and through his gift for writing memorable film dialogue as evident in Dr. Strangelove, The Loved One, The Cincinnati Kid, and The Magic Christian. His work on Easy Rider helped create the independent film movement of the 1970s. more…

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Submitted on August 05, 2018

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    "The Loved One" Scripts.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.scripts.com/script/the_loved_one_12982>.

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