The African Queen Page #6

Synopsis: September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave
Director(s): John Huston
Production: Twentieth Century Fox Home Entertainment
  Won 1 Oscar. Another 2 wins & 9 nominations.
 
IMDB:
7.9
Metacritic:
91
Rotten Tomatoes:
98%
PG
Year:
1951
105 min
1,203 Views


You can stay back here in the stern

and do whatever you have to.

Just so long as we don't look,

it won't matter, huh?

Well, how about it, miss?

Very well, Mr. Allnut.

That's the ticket.

- Mr. Allnut.

- Right here.

- I can't get back into the boat.

- I'll give you a hand.

Close your eyes, please, Mr. Allnut.

All right. I'm all right. Thank you.

Mr. Allnut!

Hi. Sorry I woke you, miss.

What are you doing?

- I ain't doing nothing, miss.

- Well, get out this instant.

Mr. Allnut.

You may come in out of the rain.

Thank you, miss.

- Miss.

- Yes, Mr. Allnut?

- I'm sorry I gave you such a turn.

- That's quite all right, Mr. Allnut.

- Good night, miss.

- Good night, Mr. Allnut.

- What a frightfully strong smell.

- What smell?

The river. It smells like marigolds.

Stale ones.

It does, huh?

Not a very good smell for a flower.

- They're very pretty, though, marigolds.

- They are, huh?

- Mr. Allnut?

- Yes, miss?

- The current's quite strong here, isn't it?

- Yes. We're getting near the rapids.

- Really? So soon?

- Just around that bend.

Kind of dangerous.

You better let me take over.

Here you are, miss.

- Well, miss?

- Yes, Mr. Allnut?

- How'd you like it?

- Like it?

- White water, rapids?

- I never dreamed.

I don't blame you for being scared, miss,

not one little bit.

Ain't no person in their right mind

ain't scared of white water.

I never dreamed

that any mere physical experience

- could be so stimulating.

- How's that, miss?

I've only known such excitement

a few times before.

A few times

in my dear brother's sermons,

when the spirit was really upon him.

- You mean you want to go on?

- Naturally.

- Miss, you're crazy!

- I beg your pardon?

You know what would have happened

if we'd come up against

one of them rocks?

But we didn't.

I must say, I'm filled with admiration

for your skill, Mr. Allnut.

Do you suppose

after I've practiced steering a bit,

- that someday I might try?

- Miss, let me tell you something.

Them rapids ain't nothing

to what's out in front of us.

On second thoughts,

I wouldn't call them rapids at all.

- I can hardly wait.

- But, miss...

Now that I've had a taste of it,

I don't wonder

you love boating, Mr. Allnut.

Is something the matter, Mr. Allnut?

Tell me.

Nothing. Nothing you'd understand.

I simply can't imagine

what could be the matter.

It's been such a pleasant day.

What is it?

- Yes, Mr. Allnut?

- All this foolish talk about the Louisa,

- going down the river.

- What do you mean?

I mean we ain't going to do

nothing of the sort.

Of course we are. What an absurd idea.

"What an absurd idea.

What an absurd idea."

Lady, you got 10 absurd ideas

Rate this script:3.7 / 3 votes

John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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