The African Queen Page #5

Synopsis: September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave
Director(s): John Huston
Production: Twentieth Century Fox Home Entertainment
  Won 1 Oscar. Another 2 wins & 9 nominations.
 
IMDB:
7.9
Metacritic:
91
Rotten Tomatoes:
98%
PG
Year:
1951
105 min
1,195 Views


And when it's smooth and flat

like that over there,

- does that mean a rock, Mr. Allnut?

- Rock or hippo, miss.

But don't go bumping into no hippo.

Makes them awful mad.

This boat's only big enough

for the two of us.

- What was the matter, Mr. Allnut?

- Feed pump's full of scum and rust.

She gets clogged up.

Kicking her starts her to working again.

I gotta act fast, 'cause one of my boys

dropped a screwdriver

down the safety valve.

What would happen

if you didn't kick her?

Whole boiler would blow up.

But if we're going

downstream, Mr. Allnut,

why do we need the engine at all?

Boat's got to go faster than the water

or you can't steer.

If I was to let the engine die

going down the rapids, we'd be goners.

- Mr. Allnut?

- Yes, miss?

Why don't you dismantle

the safety valve

and remove the screwdriver?

You know, I'm going

to do that one of these days.

The only reason I ain't done it up to now

is that I kind of like kicking her.

She's all I've got.

It's kind of hot work, ain't it, miss?

I could do with a drink.

Excuse me, miss.

- You going to have one, miss?

- No.

- What is it?

- Gin, miss.

- Something the matter, miss?

- No.

How'd you like a nice cup of tea?

I'd like a cup of tea.

Course, it'll taste a little rusty,

but then

we can't have everything, can we?

There you are.

I'll get this out of the way.

- Sugar, miss?

- Thank you.

Don't mention it.

- Have a bit of supper, miss?

- It's too hot to eat.

- How long you been out here, miss?

- About 10 years.

And what part of England

do you come from?

- The Midlands.

- It sounds pretty, anyway.

Yes, it is. It's very pretty.

Ever get homesick?

It's Sunday afternoons I think of most.

The peace and the quiet.

On Sunday afternoons,

I was always sleeping one off.

- This is very, very good.

- Yes, it isn't half bad, is it?

- What brought you to Africa, Mr. Allnut?

- The Zambezi Bridge, miss.

A whole boatload of us Canucks

came over to work on it.

Don't know yet

what they wanted a bridge for,

both sides of the river being the same,

but why does a chicken cross the road?

- I beg your pardon?

- Nothing, miss.

Sometimes I wish

I was back rubbing elbows, as they say.

You know, there's nothing

like the jostle and the noise

and the music of a Saturday night

for cheering a fellow up.

The rest of the week

I'd be taking orders from somebody.

Out here, I'm my own boss.

Anyway, I was, until...

You didn't see any crocodiles

in this arm, did you, miss?

Crocodiles? No.

There's no shallows for them.

The current's too swift.

I could do with a bath before I turn in.

I'd like a bath myself.

Well, then, I'll just go up in the bow

and hang off the anchor chain.

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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