The African Queen Page #7

Synopsis: September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave
Director(s): John Huston
Production: Twentieth Century Fox Home Entertainment
  Won 1 Oscar. Another 2 wins & 9 nominations.
 
IMDB:
7.9
Metacritic:
91
Rotten Tomatoes:
98%
PG
Year:
1951
105 min
1,210 Views


for my one.

Just why don't you want

to go on, Mr. Allnut?

- The river and Shona.

- Shona?

You're darn right, Shona.

All it would take would be one bullet

in the blasting gelatin

and we'd be in little bits and pieces.

- Then we'll go by night.

- No, we won't.

After Shona, there's the rapids.

Nobody in their might rind would

tackle the rapids at night.

But then we'll go in the daylight.

We'll go on the far side

of the river from Shona,

- just as fast as ever we can.

- No, we won't.

- You agreed to go.

- I never did.

I never agreed to nothing.

You are a liar, Mr. Allnut,

and what is worse, you are a coward.

Coward yourself.

You ain't no lady. No, miss.

That's what my poor old mother

would say to you.

If my poor old mother were to hear you...

Whose boat is this, anyway?

I asked you on board

'cause I was sorry for you,

on account of you losing

your brother and all.

That's what you get

for feeling sorry for people.

Well, I ain't sorry no more, you crazy,

psalm-singing, skinny old maid!

There was a bold fisherman

Set sail from off Pimlico

And when he got off Pimlico

The winds did begin to blow

And the little boat wibble-wobbled so

That overboard went he

Singing twinkie deedledum

Twinkie deedledee

Was the highly interesting

song that he sung

Twinkie deedledum

Twinkie deedledee...

Miss. Have pity, miss.

You don't know what you're doing, miss.

I'll perish without a hair of the dog.

Miss.

It ain't your property!

What a headache.

There was a bold fisherman

Set sail from off Pimlico

To catch...

But when he got off Pimlico

The one...

It's a great thing

to have a lady aboard with clean habits.

Sets a man a good example.

A man alone,

he gets to living like a hog.

Then, too, with me,

it's always putting things off.

Never do today what you

can put off till tomorrow.

But with you,

business before pleasure, every time.

Do all your personal laundry.

Make yourself spic-and-span,

get all the mending out of the way,

and then, and only then,

sit down for a nice, quiet hour

with the Good Book.

I tell you, it's a model,

like an inspiration.

Why, I ain't had this old engine

so clean in years, inside and out.

Just look at her, miss.

See how she practically sparkles?

Myself, too.

Guess you haven't never

had a look at me

without my whiskers and all cleaned up.

I'll bet you wouldn't hardly recognize me.

Works that much of a change.

Freshens you up, too.

If I only had some clean clothes like you.

Now, you, why, you could be at high tea.

Say, that's an idea, miss.

How's about a nice little cup of tea?

Now, don't you stir.

I'll be glad to make it for you.

How's the book, miss?

Rate this script:3.7 / 3 votes

John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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