Pygmalion Page #4

Synopsis: The snobbish & intellectual Professor of languages, Henry Higgins makes a bet with his friend that he can take a London flower seller, Eliza Doolittle, from the gutters and pass her off as a society lady. However he discovers that this involves dealing with a human being with ideas of her own.
Genre: Comedy, Drama, Romance
Production: Criterion Collection
  Won 1 Oscar. Another 2 wins & 5 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
94%
NOT RATED
Year:
1938
89 min
2,182 Views


the same for teachin' me me own language...

as what you would for French, so

I won't give you more than a shillin'.

- Take it or leave it.

- I, um-

I'll take it.

You know, Pickering,

a shilling to this girl is worth

It's handsome, enormous.

It's the biggest offer I've ever had.

- Sixty pounds? What are you talkin' about?

- Hold your tongue.

- But I ain't got 60 pounds.

- Nobody's going to touch your money.

Someone's going to touch you with a

broomstick if you don't stop snivelling.

Anyone would think

he was my father.

Higgins,

I'm interested.

- What about that boast that you could pass her off as a duchess?

- What about it?

I'd say you're the greatest

teacher alive if you make that good.

I'd bet you all the expenses

of the experiment you can't do it.

- And I'll pay for the lessons.

- Oh, you're real good.

- Come here. Sit down.

- Thank you, Captain.

This is almost

irresistible.

She's so

deliciously low,

so horribly dirty.

Oh! I ain't dirty.

I washed my face and hands

before I come, I did.

I shall make a duchess of this

draggle-tailed guttersnipe.

Oh!

In six months- in three, if she

has a good ear and a quick tongue-

I'll take her anywhere

and pass her off as anything.

We start today, this minute.

Mrs. Pearce, clean her.

Take off all her clothes

and burn them.

Order some new ones. Wrap her up

in brown paper till they come.

You're no gentleman, you ain't,

to talk of such things.

I'm a good girl, and I know

what the likes of you are.

We want none of your

slum prudery here, young woman.

You've got to learn to behave like

a duchess. Take her away, Mrs. Pearce.

- If she gives you trouble, wallop her.

- I'll call the police!

- I've no place to put her.

- Put her in the ashcan.

- You can't pick a girl up as if picking a pebble off the beach.

- Why not?

- She may be married.

- Garn!

As the girl very

properly says, "Garn!"

- Who would marry me?

- By George, Eliza.

Before I'm done with you, the streets

will be strewn with the bodies of men...

shooting themselves

for your sake.

He's off his chump, he is.

I don't want no loonies teachin' me.

Oh, I'm mad, am I?

Very well, Mrs. Pearce, throw her out!

- Stop. I won't allow it. Go home to your mother.

- I ain't got no mother.

She ain't got no mother.

The girl doesn't belong to anybody.

- She's no use to anybody but me.

- What's to become of her?

Is she to be paid anything?

Do be sensible.

What on Earth would she do with money?

She'll only drink if you give her money.

It's a lie! Nobody ever saw

a sign of liquor on me.

Doesn't it occur to you that

the girl has some feelings?

Oh, I don't think so.

Have you, Eliza?

Rate this script:4.5 / 2 votes

George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra. Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian Society gradualism and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946. Since Shaw's death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among British dramatists; analysts recognise his extensive influence on generations of English-language playwrights. The word "Shavian" has entered the language as encapsulating Shaw's ideas and his means of expressing them. more…

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Submitted on August 05, 2018

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