Pygmalion Page #3

Synopsis: The snobbish & intellectual Professor of languages, Henry Higgins makes a bet with his friend that he can take a London flower seller, Eliza Doolittle, from the gutters and pass her off as a society lady. However he discovers that this involves dealing with a human being with ideas of her own.
Genre: Comedy, Drama, Romance
Production: Criterion Collection
  Won 1 Oscar. Another 2 wins & 5 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
94%
NOT RATED
Year:
1938
89 min
2,156 Views


Amazing.

I rather fancy myself because I can

pronounce 24 distinct vowel sounds.

Your 130 beat me. I can't hear

any difference between most of them.

Oh, it, uh,

comes from practice, you know.

I rather fancy myself because I can

pronounce 24 distinct vowel sounds.

Good heavens.

Is that me?

I can't hear any difference

between most of them.

Concealed

microphone.

For unsuspecting

victims.

- What is it, Mrs. Pearce?

- There's a young woman wants to see you, sir.

- What's she want?

- She says you'll be glad when you know what she's come about.

She's a very

common girl, sir.

I'd have got rid of her, only

you see such queer people sometimes.

- Has she an interesting accent?

- Just dreadful, sir.

Good.

Show her up at once.

This is really

a bit of luck.

We'll set her talking, and I'll

take it down in my phonetic shorthand.

Then we'll

get her on the machine.

- You can turn it on as often as you like.

- Wait.

Here's the young

woman, sir.

Oh, it's you!

Oh, she's no use.

I've got all the records I want

of the Lisson Grove lingo.

Be off with you.

I don't want you.

Don't you be so saucy.

You ain't heard what I come for yet.

Did you tell him

I come in a taxi?

Do you think a gentleman like

Mr. Higgins cares what you came in?

Oh, we are proud,

aren't we?

He ain't above givin' lessons.

I heard him say so.

And if my money's not good enough,

I can go elsewhere.

- Good enough for what?

- Good enough for you.

So now you know,

don't you?

I'm come to have

lessons, I am.

And to pay for 'em too,

make no mistake.

Well.

I say, Pickering.

Shall we ask this obect to sit down, or

shall we throw her out of the window?

I won't be called an obect

when I've offered to pay like any lady.

What is it you want,

my dear?

I wanna be a lady

in a flower shop...

instead of selling

in Piccadilly Circus.

But they won't take me

unless I can talk more genteel.

Well, he said

he could teach me.

Here I am. I'm ready to pay.

I'm not askin' any favors.

And he treats me

as if I was dirt.

I know what lessons cost,

and I'm ready to pay.

- How much?

- Oh, now we're talkin'.

I thought you'd come off it

when you saw a chance of gettin' back...

a bit of the money

what you chucked at me last night.

- You'd had a drop, hadn't ya?

- Sit down.

Oh, if you're goin' to

make a compliment of it.

- Sit down!

- What's your name?

Eliza Doolittle.

Won't you sit down,

Miss Doolittle?

Oh. I don't mind

if I do.

How much do you propose

to pay me for the lessons?

Oh, I know

what's right.

A lady friend of mine,

she gets French lessons...

at 18 pence an hour

from a real French gentleman.

But you wouldn't have the nerve to ask

Rate this script:4.5 / 2 votes

George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra. Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian Society gradualism and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946. Since Shaw's death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among British dramatists; analysts recognise his extensive influence on generations of English-language playwrights. The word "Shavian" has entered the language as encapsulating Shaw's ideas and his means of expressing them. more…

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Submitted on August 05, 2018

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