Mikey and Nicky Page #5

Synopsis: Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.
Genre: Crime, Drama
Director(s): Elaine May
Production: Criterion Collection
 
IMDB:
7.4
Rotten Tomatoes:
86%
R
Year:
1976
119 min
2,416 Views


- Wanna go to a party?

I got a meetin'.

- Hey, I mean with a girl.

- What do you mean?

What are you talking about?

Nick, don't be...

- Come on.

- What's the matter with you?

- I know a terrific girl.

- Where are you running to?

What the hell is

the matter with you?

- Got a terrific form.

- One girl, right?

Where does she live?

Where does she live. Is it far?

On Hall and Tenth Street!

Wait a minute.

What are you running? She'll wait.

- Do we have to run?

- Wanna go to a movie?

- What do you mean, a movie?

- I feel sick.

I don't want to be with a girl tonight.

I feel sick to my stomach.

- You don't wanna go to the girl.

- No. Go to a movie.

- Your stomach bothering you?

- Yeah.

Didn't I tell you to have something

to eat in the bar, goddamn you?

Here. Eat that.

I eat this? If I eat this,

do I go to the movie?

What movie? What movie are you

talkin' about? It's almost midnight.

- On 14th Street and Hall there's

- Put that in your mouth.

All-night movies, terrific shows,

double features

and they got cartoons, they have

15 minutes of coming attractions.

They got a candy counter

that's open all night long

and it's got ice cream sandwiches,

everything, the works.

Okay.

Let me call Annie first.

I told her I was gonna meet a guy,

have a drink, be home in an hour.

She's sitting up,

she's waiting for me.

So let me call her.

Where the hell is a phone?

- What are you going to tell her now?

- I'll think of something.

I don't treat my wife

the way you do.

If I'm gonna be late, or if

I'm gonna be out all night, I call.

What's the matter?

Is my face dirty?

You were sitting in that bar

for 45 minutes.

You never once thought

about calling your wife.

Never once thought

about calling Annie.

All of a sudden

you gotta call Annie.

I got a terrific suggestion

for you, Nick.

I suggest you find

somebody you can trust.

Hey, Mikey.

I didn't think of it.

How's that for a reason?

- I had other things on my mind.

- I'm just asking a question.

I got my answer.

All right, I'm calling because I've been

delayed. I don't want you to worry.

I told Harry you'd be home to say

good night. Should I put him to bed?

Okay. Okay.

14th and... you mean Hall

like in "hallway"?

Hold on one minute.

I think I better write it down.

Harry, would you

bring me a crayon?

- Crayon?

- Crayola.

14th and Hall.

No, I don't have it.

Just a minute. Just a minute.

Would you bring me a book to write

on? Could I just borrow this?

I'm goin' to the bar.

- Who was that, Nick?

- A chick.

- Shirley.

- Shirley!

Shirley, here?

- Uh, you want gin and tonic.

- Gin and tonic, right.

I'll have a gin.

- Just gin.

- Gin.

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Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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