Mikey and Nicky Page #6

Synopsis: Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.
Genre: Crime, Drama
Director(s): Elaine May
Production: Criterion Collection
 
IMDB:
7.4
Rotten Tomatoes:
86%
R
Year:
1976
119 min
2,440 Views


- Hey!

- Hi. How are ya?

Mel, this is...

Wow, what is your name?

Is your name Mel?

My name is Mel.

What's your last name?

He gave me a dime.

I was gonna make a call.

His friend is in the booth.

He gave me a dime

- and he bought me a drink.

- Oh, I'm sorry.

- Hello. You gave her a dime, right?

- Yeah.

So I owe you a dime

'cause this is my old lady. Okay?

What do you mean,

it's your old lady? She's not old.

Bye.

That ol' black man.

- Man, I thought you were a brother.

- Listen to me, now.

Look in the phone booth.

Look in the phone booth.

Now, everybody in here knows you're

the man, so why don't you leave?

I mean, we might be black,

but we ain't dumb.

How come you're black?

- Mel.

- What did you say?

What did you just say?

Hey, Mel.

I'll talk to you later.

We don't want any trouble at all.

We just want to buy you a drink.

Can we buy you a drink?

Can we buy you a drink?

What the f*** are you doin'?

All right, take it easy.

We're leaving.

Where you goin'?

What's the matter?

- I'm gonna finish my drink.

- Come on!

Come on!

You're a lunatic.

What are you trying to do, kill us?

Why don't you tie our feet together

and run in front of a truck?

What difference does it make?

I'm dead anyway.

- No one can hurt me.

- Shut up.

If everyone in that place beat me up,

it wouldn't hurt as much as dying.

- I want to go to the movies.

- That's where we're gonna go.

Okay.

Uh, he's at the all-night movie

at 14th Street and Hall.

Movie, 14th and Hall.

- Sixth Street!

- I wonder what's playing.

Shoot.

Hey.

You all right?

Yeah, sure.

Got a cigarette?

You're not supposed to smoke

on these things.

He gonna stop me,

this guy here?

Hey, take it easy.

Here's a cigarette.

Just one bus driver.

Save yourself for a crowd.

Excuse me.

- No smoking in the bus.

- Hey, shut up, will ya?

- I'm gonna tell the bus driver.

- I'm gonna tell your mother.

You know, I don't want to

start up with your element.

My element? Wait a minute.

Let me check it out.

Oh.

It's all right.

My element's okay.

Oh, dear.

Is that supposed to shock me?

- You know, you got big hands.

- What?

You got big hands.

You coulda been a piano player

with those hands.

Every good boy does fine

on his lines.

And then, F-A-C-E

in between the lines.

My sister played the piano.

She taught me a little bit.

You remembered that.

That's terrific.

Eighth Street!

I owe you 200.

- What?

- 200.

You don't have to

give that to me now.

I'm loaded.

I don't need that now.

- I'll let you know if I need it.

- You okay?

I gotta send it to you later.

Tenth Street!

Twelfth Street!

Twelfth and Cottage... that's where

my mother's buried. That's where she is.

Rate this script:0.0 / 0 votes

Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

All Elaine May scripts | Elaine May Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Mikey and Nicky" Scripts.com. STANDS4 LLC, 2024. Web. 5 Jun 2024. <https://www.scripts.com/script/mikey_and_nicky_13770>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Mikey and Nicky

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.