Mikey and Nicky Page #4

Synopsis: Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.
Genre: Crime, Drama
Director(s): Elaine May
Production: Criterion Collection
 
IMDB:
7.4
Rotten Tomatoes:
86%
R
Year:
1976
119 min
2,399 Views


Gotta rent a car.

- See him pull a gun on me?

- Come on, he doesn't have a gun.

Car rental garages don't open

till morning.

Jesus.

Tough night, isn't it?

You want me to get in touch with Jan

after you're gone, tell her you're okay?

- Jan left me.

- She did?

- Yeah.

- I didn't know that.

Took the kid

and moved to her mother's.

Jesus Christ. That's terrible.

Yeah.

I'll get her back.

If I live long enough.

- Where you goin'?

- I'm gonna put something on the box.

There's a garden

What a garden

- Second and South?

- Second and South.

- And South?

- Correct, yeah.

South is not in that direction, sir.

It's this direction, due north.

Sixth Street, next street is Seventh.

You got to go this direction.

- Okay. Thanks.

- You're goin' the wrong way.

You go half a block east

and you're at Broadway...

- Have a drink. Aw, come on.

- No.

How much do I owe you?

Seventy? Keep it.

- How's Annie?

- Fine.

- Yeah?

- Fine, yeah.

She asks about you.

- How's the kid?

- Oh, the kid's terrific. Terrific.

- Kid's big as a truck.

- Yeah?

Beats up all the other kids

in the nursery school.

Beats up.

Must be tough.

He's enormous.

How's your kid?

Must be what?

- Five months now?

- She's five months, yeah. Got teeth.

- Really? That's something.

- Yeah.

- She's a terrific kid. Holds my thumb.

- That's cute.

- Who's she look like?

- Okay. Let's go. Come on.

- Where you going?

- Come on.

- Where you going?

- I wanna go to Jan's.

- Now?

- I wanna say good-bye.

I'd like to say good-bye

to the kid too.

They don't see you for a while,

they forget your face.

Nick, that's crazy.

- Come on. Let's go.

- Wait. Let me finish my beer.

Sure, buddy.

Go ahead. No hurry.

The hell with her.

Who needs her?

- Hot in here, huh?

- Yeah.

- You okay? Your stomach okay?

- Fine.

Eat some crackers.

Was that the phone?

I don't know.

You expecting a call?

What?

Nothing.

That would be funny, wouldn't it?

Some guy using a bar as an office.

I gotta get outta here.

Where you goin'?

Wait a minute.

- I'm goin'.

- I haven't finished my beer.

- You finish your beer. I'm goin'.

- I gotta call the car rental.

Wait a minute!

Nick, you're goin' crazy over...

- You're like a maniac.

- I couldn't breathe in there.

All of a sudden jump up.

It's like a maniac.

No air in there.

You know that feeling?

- Goddamn it now.

- You don't have that feeling?

- I don't want to call you on this.

- That's a famous feeling.

I came over, you tell me

they're after you, I'm here.

I'll do what I can, everything.

Listen to me, for Christ's sake!

I'll do whatever I can,

but I cannot do it by myself.

- I gotta call the car now.

Rate this script:0.0 / 0 votes

Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

All Elaine May scripts | Elaine May Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Mikey and Nicky" Scripts.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.scripts.com/script/mikey_and_nicky_13770>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Mikey and Nicky

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.