Weekend Page #4

Synopsis: A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Director(s): Jean-Luc Godard
Production: Janus Films
  1 win & 3 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
96%
NOT RATED
Year:
1967
105 min
Website
1,780 Views


Corinne Dupont.

Dupont is your father's name.

What's yours?

don't know.

You see, you don't even know

who you are.

Christianity is the refusal

of self-knowledge,

the death of language.

Shut up, I said!

Are you going to keep

your traps shut?

- And what is your name?

- Joseph Balsamo.

Never heard of him.

- Help!

- Will you shut up?

Listen.

I'm not surprised, the way you look:

A Reader's Digest look.

Quiet, please.

You remind me of those who wouldn't

move Andre Breton when he was dead.

Anyway, I'll explain.

Joseph Balsamo is the son of God

and Alexandre Dumas.

God's an old queer,

as everyone knows.

He screwed Dumas and I'm the result.

Thus:
I am God.

Yes, I'm God, because I'm lazy.

That's not true, my love.

- Help!

- Will you...

Will you shut up?

You, too, Marie-Madeleine.

She's nice, but she's not too bright.

Laziness, God...

Look, shut up. Pack it in, will you?

That's enough.

She's nice.

She understands laziness.

She understands about God, too.

She obeys me.

What exactly are you up to?

I'm here to inform these Modern Times

of the Grammatical Era's end...

...and the beginning of Flamboyance,

especially in cinema.

I've had enough. I'm stopping.

I'll make you a proposition.

Take me to London

and I'll grant your wishes.

Oh, sure, you loser.

Really, just look and see

what's under the dashboard.

Oh, sh*t, a miracle!

A rabbit.

Anything you wish,

if you'll take me to London.

A big Mercedes sports car?

Yes.

An Yves St. Laurent evening dress?

Yes.

A Miami Beach hotel?

Make me a blonde, a natural blonde.

A squadron of Mirage IVs,

like the yids used to thrash the wogs.

- A weekend with James Bond.

- I'll go for that, too.

Is that all you want?

Yes.

You creeps, I'll give you nothing.

Quick, a miracle, you swindler.

What, for a**holes like you?

- That'll do! Get out!

- Out!

Get out!

Out, you whore! I'll make you run!

Bastard!

Dirty Jew! I'll kill you!

Silence!

Silence!

Vade retro. Go home.

You see, the sun's come out.

Keep right!

Long live Anquetil!

Long live Poulidor!

My Herms handbag!

FROM THE FRENCH REVOLUTION

TO GAULLIST WEEKENDS

Freedom is violence.

Like crime.

It seems to be the virtue of vice...

Is the knife under the pillow?

...fighting against slavery...

...desperately.

No, in the shed.

Freedom will kill herself

in the long struggle.

Can the inconsistency of humanity

be conceived?

And the ax?

Can one believe

that man ordered society...

...in order to be happy

and reasonable?

Weary of wisdom, more like...

...nature's wisdom...

In the shed, too.

...he wishes to be unhappy

and witless.

I see nought but constitutions...

...steeped in gold, pride and blood...

Rate this script:4.0 / 2 votes

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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    "Weekend" Scripts.com. STANDS4 LLC, 2024. Web. 3 May 2024. <https://www.scripts.com/script/weekend_23197>.

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