Violent Saturday Page #4

Synopsis: A number of otherwise insignificant small-town stories erupt into drama when a gang of hoodlums decides to rob the local bank. A father looking for pride in his son's eyes, a timid clerk who is a peeping tom by night, a man striving to rewin his wife's love, an Amish farmer faced with viciousness, and a proper older woman turned thief, all find themselves entangled with the bank robbers as a peaceful weekend turns violent.
Director(s): Richard Fleischer
Production: 20th Century Fox
 
IMDB:
6.9
Rotten Tomatoes:
80%
NOT RATED
Year:
1955
90 min
92 Views


I found the perfect spot.

A crazy, his wife and kids

and not a neighbor.

And if Slick waiting on a road without?

For the police can identify the truck?

It's safer that way.

Ni telephone or car.

Their religion forbids it.

Kids, it paralyzes me.

- Stop.

You spoke to Slick?

- There is an hour.

Slick will have a hay truck,

to go unnoticed.

Here is how.

Between 10:
30 ET 10:40,

you steal a car in the city.

Good.

At 11 hoo, we joined Slick

and farm it occupies.

At 11 h45,

it is in the vicinity of the bank.

You will call the cops to tell

there was an accident on the road.

The police car part,

one enters the bank.

90000 dollars.

Net taxes.

At work. We pavoisera after.

I did not expect you so soon.

Your name?

- Linda Sherman.

What are you doing here?

Do not take me up.

I asked you what you do here.

The question would be useless

if you stayed with him.

Out.

Why not?

I had stayed on to ensure that Boyd.

I can take care of him alone.

Well, that's new.

Especially after ten years spent in

demolished.

Out.

Do not rush me.

I could take it elsewhere.

We had other projects,

but we did not do than talk.

Another time, I do not know...

I'll throw you out.

You should try.

I seek for an excuse to pull your hair.

You do not have the courage.

Hold on to him.

Drunk or sober,

this is the kind of man

I have always dreamed of.

Are you awake?

I'm not on my plate. Insomnia...

This is normal,

on the verge of a serious job.

Him, he sleeps like a good child.

This is a good guy.

Yes, it's true.

The trouble is that it is inherently evil.

Does it matter?

He?? is on our side.

Speaking of evil,

there is no worse a wicked woman.

And I thought of all the tiles

that have brought me women.

They will dump a man.

Tell me that.

Do you remember that I was married?

This was a sacred number.

At first,

I thought I hit the jackpot.

Skinny, but I love like this:

Skin and bones.

I wonder why I want to lean...

Parmalee... That's how it was called.

Do you remember?

Yes, I remember.

She dumped me for a mortician.

A mortician shabby.

It almost makes me happy.

She had too many bad habits.

She trailed all day in a Chinese robe.

Always bathrobe.

The real crazy manners.

And from one end to the other of winter,

it was cold.

Every fortnight she passed me her cold.

She has passed me fifty times its cold.

I took there twitching sniffing it.

It is time to get some sleep.

We have a job tomorrow.

There is a guy who is currently

monitor the hotel.

He walks his dog, that's all.

You think...

- Good night.

I am on my guard.

This is a guy walking his mutt.

I am on my guard

there is nothing to burn me.

Good night.

You have stolen, is not it?

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Sydney Boehm

Sydney Boehm (April 4, 1908 – June 25, 1990) was an American screenwriter and producer. Boehm began his writing career as a newswriter for wire services and newspapers before moving on to screenwriting. His films include High Wall (1947), Anthony Mann-directed Side Street (1950), the sci-fi film When Worlds Collide (1951), and the crime drama The Big Heat (1953), for which Boehm won a 1954 Edgar Award for Best Motion Picture Screenplay. Boehm was born in Philadelphia, Pennsylvania on April 4, 1908 and died in Woodland Hills, California on June 25, 1990 at age 82. more…

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Submitted on August 05, 2018

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