Violent Saturday Page #3

Synopsis: A number of otherwise insignificant small-town stories erupt into drama when a gang of hoodlums decides to rob the local bank. A father looking for pride in his son's eyes, a timid clerk who is a peeping tom by night, a man striving to rewin his wife's love, an Amish farmer faced with viciousness, and a proper older woman turned thief, all find themselves entangled with the bank robbers as a peaceful weekend turns violent.
Director(s): Richard Fleischer
Production: 20th Century Fox
 
IMDB:
6.9
Rotten Tomatoes:
80%
NOT RATED
Year:
1955
90 min
89 Views


My name is Roy. Yes, you said.

We all need something

family, wife or other...

Me, I have my mania, Gus:

Perspective and dimension...

there is nothing better.

A whiskey and soda, bartender.

Hello, Roy.

My name is Harry. Harry Reeves.

Have you seen my wife?

No, I have not seen.

First, she told me to come,

then she makes me say not come.

She told you, Roy?

Harry Reeves. The bank.

This is a beautiful institution.

I've used.

You are our best customer.

You work for us, Roy?

Harry.

I am the director of the bank.

It is you who count the money?

That is correct, Mr. Fairchild.

You can call me Harry.

This is your hobby, count?

In a sense, yes.

And a woman, Roy?

You know how counting women?

Must break them into small pieces.

In any small pieces.

Then we count all...

...all these dirty little pieces.

Do not break the hardware,

Mr. Fairchild.

Sorry, I explained something.

You know what you are, Roy?

You are a reluqueur.

It will attract trouble.

We begin by ogling,

and eventually married.

I got married, Mr. Fairchild.

Hi, Linda.

She's cute.

Do you attend?

Do not say that. I am married.

I do not even know.

Let's fix that.

Do not compromise me.

If that's what you want...

You should ask her to dance.

You wanna dance with Linda?

I can not dance.

But you could keep him company.

I like to see people dance.

Of course, I dance very well.

You have fun, Boyd?

Call me Harry.

Do you wanna dance?

You could do it?

Are you kidding?

You have not known me student.

Looks banker tongue.

Talk.

The balance well.

Warning seasickness.

You're a good dancer.

100% American.

You always drink so much?

Question usual.

You are very unhappy?

The bottom of the abyss.

Where is your wife?

Emily?

She has a hobby.

She has two or three per year.

Do you want to be my hobby?

I do not like advances.

I present to you my most sincere apologies.

Well, it's forgotten.

I do not understand you.

With your fortune,

you would be spoiled for choice.

My choice is you.

Thank you.

What tone.

I'm effect of a Salesman spree.

So sorry.

A whiskey and soda.

You know?

You are really nice.

I dare not say thank you.

Where were you ten years ago?

I passed my exams. A Milwaukee.

I should be there.

- Why?

I got married.

You happen he regret your mistakes?

As everyone.

Sure...

Even mistakes we wanted to erase.

If you and I...

Excuse me. I forgot.

Do not like advances.

What kind?

If we leave together?

You're really drunk.

No,

I thought about it at leisure.

Why me?

You are to me beneficial.

And if I said yes?

We would leave immediately,

wherever you want.

Come. Dance brings counsel.

Not easy to get up.

- Sit.

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Sydney Boehm

Sydney Boehm (April 4, 1908 – June 25, 1990) was an American screenwriter and producer. Boehm began his writing career as a newswriter for wire services and newspapers before moving on to screenwriting. His films include High Wall (1947), Anthony Mann-directed Side Street (1950), the sci-fi film When Worlds Collide (1951), and the crime drama The Big Heat (1953), for which Boehm won a 1954 Edgar Award for Best Motion Picture Screenplay. Boehm was born in Philadelphia, Pennsylvania on April 4, 1908 and died in Woodland Hills, California on June 25, 1990 at age 82. more…

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Submitted on August 05, 2018

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