Touch of Evil Page #6

Synopsis: Mexican Narcotics officer Ramon Miguel 'Mike' Vargas has to interrupt his honeymoon on the Mexican-US border when an American building contractor is killed after someone places a bomb in his car. He's killed on the US side of the border but it's clear that the bomb was planted on the Mexican side. As a result, Vargas delays his return to Mexico City where he has been mounting a case against the Grandi family crime and narcotics syndicate. Police Captain Hank Quinlan is in charge on the US side and he soon has a suspect, a Mexican named Manolo Sanchez. Vargas is soon onto Quinlan and his Sergeant, Pete Menzies, when he catches them planting evidence to convict Sanchez. With his new American wife, Susie, safely tucked away in a hotel on the US side of the border - or so he thinks - he starts to review Quinlan's earlier cases. While concentrating on the corrupt policeman however, the Grandis have their own plans for Vargas and they start with his wife Susie.
Director(s): Orson Welles
Production: October Films
  6 wins & 1 nomination.
 
IMDB:
8.1
Rotten Tomatoes:
96%
PG-13
Year:
1958
95 min
1,428 Views


Yes, he is!

Hold back that second charge!

Stop that car!

Hold that car! Stop!

There was a complaint

about some stolen dynamite out here.

You fired anybody lately?

- I figured you'd ask about that.

A boy named Sanchez?

- Sure.

He's been playing around

with the boss's daughter.

I just recognized somebody.

- The one with the big ears?

We prosecuted him for voluntary

manslaughter. - That's Eddie Farnum.

Get out of here, we're gonna blast!

- How long've you been out?

- Who got you the job?

My lawyer, Howard Cranes.

- Grandi's lawyer.

Suspect now in custody.

- Well, this is it.

Suspect? Is that Sanchez, the one

you've been talking about?

They've located him, right?

- In Marcia Linnekar's apartment.

Stand still, we're gonna blast!

What's wrong, Farnum?

You short of dynamite?

Captain, have you anything definite

on Sanchez? - Not yet.

I'm goin' on my intuition.

- This car belongs to Howard Cranes.

You remember, that slick lawyer

that got Farnum a parole.

He was Rudy Linnekar's attorney, too.

Isn't that Quinlan?

- Quinlan?

I figured we'd have Quinlan

to deal with. You finished packing?

I've heard about that guy.

- Say nothing. Let's get your bag.

Remember:
I'll do all the talking.

How do we begin? Nasty questions first

or the rubber hose right away?

Take it easy.

Vargas?

Yes, Captain?

I got my orders, Vargas.

I'm to show you courtesy, but that

don't mean you do the interrogating.

I know, Captain.

That's what I told Sanchez.

You're Ed Hansen?

- That's right, Captain.

Go and get me some coffee, Ed.

How about you, Miss Linnekar? Coffee?

No thanks.

I really need it. I'm an old man.

I go a whole night without sleep,

I feel it.

Of course,

it was a lot worse for you.

You've been livin' here

for some time, Marcia. How long?

Four months.

- Marcia!

You have a quarrel with your dad?

- I'm Miss Linnekar's attorney.

I'm Manolo Sanchez,

and I haven't got an attorney!

You two been sharing this apartment?

- I must explain.

My client is moving elsewhere.

- So she's been living with this man?

She'll be available for questions

later. I'll be present, of course.

Of course. Marcia, where was

your friend Sanchez last night?

Later, Captain. Later,

after she's rested. Come, my dear.

Casey, would you look in the desk?

See if there are some letters...

Unless you've already looked.

- We were waitin' for you.

I... I don't speak Mexican.

Let's keep it in English, Vargas.

Fine by me. He's just as unpleasant

in any language. - Unpleasant?

Strange, I've been told

I have a very winning personality.

The very best shoe clerk

the store ever had!

You weren't a shoe clerk on that

construction crew. Stick around.

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Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

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