Touch of Evil Page #5

Synopsis: Mexican Narcotics officer Ramon Miguel 'Mike' Vargas has to interrupt his honeymoon on the Mexican-US border when an American building contractor is killed after someone places a bomb in his car. He's killed on the US side of the border but it's clear that the bomb was planted on the Mexican side. As a result, Vargas delays his return to Mexico City where he has been mounting a case against the Grandi family crime and narcotics syndicate. Police Captain Hank Quinlan is in charge on the US side and he soon has a suspect, a Mexican named Manolo Sanchez. Vargas is soon onto Quinlan and his Sergeant, Pete Menzies, when he catches them planting evidence to convict Sanchez. With his new American wife, Susie, safely tucked away in a hotel on the US side of the border - or so he thinks - he starts to review Quinlan's earlier cases. While concentrating on the corrupt policeman however, the Grandis have their own plans for Vargas and they start with his wife Susie.
Director(s): Orson Welles
Production: October Films
  6 wins & 1 nomination.
 
IMDB:
8.1
Rotten Tomatoes:
96%
PG-13
Year:
1958
95 min
1,426 Views


onto something new. Coming?

I have to drop my wife at a motel.

- Hank wants you with him. I'll do it.

No trouble at all, Ma'am.

- Won't you drive me?

I'll phone you. Which motel?

- The Mirador. - We better hurry.

Try to get some sleep, Susie.

- That Mirador's mighty hard to find,

with the new highway

branching off like that... Hey!

That's alright, I can find my way.

- His cane!

I forgot to give him his cane.

He really needs it for that game leg.

Did he tell you how he got it?

- What, his cane? - No, his bad leg!

Who are you talking about?

- Captain Quinlan!

He got it in a gunfight.

He was wounded stopping a bullet

that was meant for me.

But the bravest thing Hank ever did

was to give up drink.

He used to be a terrible lush.

But look at him now: no sleep,

still at it. Yeah, he never gives up!

What's wrong? - Why are you

following us? Get out of the car!

A man can't take a ride

in his own car? - Come on!

Wake up, Mrs Vargas.

We're here. This is it.

This can't be it. - It's all the motel

we got this side of town, Ma'am.

The others are all on the new highway,

mostly closed till the season starts.

Oh no!

- Oh yeah!

How long are you gonna

hold me here? I didn't do nothing.

Can you identify this man?

- Of course. That's Grandi!

I'm a member of the family, sure.

But nobody laid a hand on her!

Shut up. Get in the car.

What about my car?

- You can leave it here. - What, here?

In the middle of nowhere? - You're

coming with me! - On what charge?

I don't know yet.

That's for Quinlan to decide.

What was Grandi doing way out here?

- He was following us in his car.

Where are my bags? - We've already

put them by your cabin.

The last one, No. 7. - If you want

a change, just phone the desk.

Off season like this, I reckon

you're about the only one here.

I turned on the music for you

up at the office.

I turned the music up for you.

I thought you'd like it.

- Not just now.

It's past seven,

and I haven't been to bed yet.

You can get into it now.

I brought the sheets.

But if they think I'm gonna make it,

they got another thing comin'!

I'm not gonna be a party to...

I'm the night man.

It's day already.

I'm the night man. - Have the day man

help me make the bed.

There ain't no day man.

He was supposed to be here

at 6 this morning.

Now they phone and tell me

he ain't comin' at all.

They're sendin' a new man.

If they think I'm waitin' for him...

- Won't you help me make the bed?

Bed?

Wait a minute!

Your friend,

Mr Grandi...

He ain't gonna leave you here long.

He is not my friend.

He brought you here

in that car, didn't he?

No, he didn't.

In fact, he's under arrest.

Under arrest? Mr Grandi?

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Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

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