Topper Page #5

Synopsis: The funloving Kerbys, stockholders in the bank of which henpecked, stuffy Cosmo Topper is president, drive recklessly once too often and become ghosts. In limbo because they've never done either good or bad deeds, they decide to try a good one now: rehabilitating Topper. Lovely, flirtatious Marion takes a keen personal interest in the job. Will Topper survive the wrath of jealous ghost George? Will Mrs. Topper find that a scandalous husband isn't all bad?
Director(s): Norman Z. McLeod
Production: Hallmark Entertainment
 
IMDB:
7.4
Rotten Tomatoes:
94%
PASSED
Year:
1937
97 min
458 Views


me once and crack your teeth.

Why do you love him so? 'Cause he bores

me stiff. He's like a successful sheep.

Don't say that. Topper has very

interesting possibilities, maybe.

Well, so does a sheep. It can

be chopped or hash or soup.

Hash, Topper. That fits,

doesn't it, George?

Offhand, I'd say, what are you

talking about? Hash, Topper.

You know, all mixed up. All he needs

is straightening out, and I can do it.

Yes. The last time you tried straightening

a guy out, you cost me ten grand.

Not this time.

The foot's down.

If you ask me, I'd say

it was down too far.

I nearly skinned my eyebrows

on the trees that time.

My pet, if you were driving the

car, there wouldn't be any trees.

You'd have plowed 'em up. You remember

what happened to the last car we had?

Sure. You drove it into a meat

market. No, the one before that.

Well, I can't remember that

far back. George, look out.

What? There's something in

my eye. Something in your eye?

Be careful! Look out!

You'll never make it, George!

Oh, boy.

I guess I'll never hear

the last of this.

Oh, look at my car.

Look at my hat.

And I got a run

in my stockings.

Look at that.

I told you to slow up.

Would you? Oh, no.

Can I help it if a tire blows out?

Besides, I had something in my eye.

Couldn't have been

your driving, could it?

I've come around that curb much

faster lots of times. So have you.

It was such

a lovely car too.

Oh, George!

Hmm?

You're getting transparent.

You're fading.

Say, that's funny.

I can see through you too.

Say, who's that?

That's us.

You know something, George?

I think we're dead.

I think you're right.

It's funny,

I don't feel any different.

No, neither do I.

Now I wonder

what happens.

I don't know.

I suppose pretty soon we'll hear

trumpets, and then off we go.

I hope we go together, honey.

So do I.

No trumpets.

No, no trumpets.

Marion,

what do you suppose is the

conventional thing to do now?

I don't know.

We've never

been conventional.

I think we tell someone

our good deeds,

and then they open up the

beautiful gates and let us through.

Yes, but what good deeds

have you done?

Oh, dozens.

Name one.

Well, I've, uh-

Mm-hmm.

I've, uh-

Hey, what good deeds

have you done?

Well, I-

At least we haven't

done any bad ones, honey.

Yes, but that's

not enough, and-

and I'm afraid

it's too late now.

Yes.

And I'm afraid that

for once in our, uh-

Well, for once,

we're stuck.

George, maybe not.

Hmm?

Maybe if we could do

a good deed now, and-

Oh, George!

You're fading.

Didn't you think the lamb was especially

good? Yes, of course it was good.

Why must we always have lamb on

Sundays? You like lamb, don't you?

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Jack Jevne

Jack Jevne (January 25, 1892 – May 25, 1972) was an American screenwriter. He also worked as an actor, and served as sergeant first class during World War I. He wrote for 58 films between 1919 and 1956, notably working with Laurel and Hardy on several occasions. He was born in Provo, Utah, son of Lloyd Jevne, a professional billiard player, and Anna Anderberg, a Swedish immigrant.During the Hollywood blacklist era, Jean Rouverol Butler, wife of blacklisted screenwriter Hugo Butler, wrote Autumn Leaves (1956) with her husband based on her novella. Jack Jevne fronted for her, that is, feigned authorship.Jevne died in Los Angeles, California. more…

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Submitted on August 05, 2018

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