This Time for Keeps Page #5

Synopsis: A singing soldier (Johnny Johnston) newly returned home finds himself discontent to work in his father's opera company or pick up where he left off with his girlfriend. Having met an aquacade showgirl (Esther Williams) while in the service, he reintroduces himself. Romance blossoms.
 
IMDB:
6.0
Year:
1947
105 min
19 Views


Hello, Dad.

It`s 2:
00.

Yeah, I know. Couldn`t you sleep?.

These American Legions meetings,

do they always go on till that late?.

I`m a big boy now, Papa.

We waited and waited for you

for a long time.

Oh, I forgot I promised

l`d be there, Dad. Honestly I did.

Frances was very disappointed.

Yeah, I suppose so.

Dad...

...would you be very disappointed

if I didn`t go through with...?.

-Well, I mean, if l--

-What is it, Dick?.

Do you mind if I look around

for another job?.

Oh, that again.

I would be very disappointed.

No, singing at the opera,

married to Frances, that`s what I want.

Well, we`re both tired.

Maybe we`d better go to bed.

You know, l`ve just about decided

never to have any children.

You say so.

It takes two to decide that. Why?.

Oh, children are such nitty disappointments

to their parents.

Not if they have sense enough

to do as they are told.

-Good night.

DlCK:
Good night.

RlCHARD:

Good night, Peter.

And don`t forget

to remember tomorrow...

...wake up in good voice,

ready for your audition.

DlCK:

If you say so, Dad.

RlCHARD:

I just did say so.

[SlNGlNG ""M`APPARl""]

Maestro, I would like you to--

So finally, you woke yourself up.

It was a struggle, but I made it.

I shook you.

I poured ice-cube water on you.

-You did all that?.

-No. I only wanted to.

Come. Come over here.

Almost immediately,

I will return with Norman.

Norman who?.

Norman Randall,

the director of the opera.

You will sing for him

and he will like your voice. Maybe.

Oh, but look, Dad, I don`t--

Sing. Try your voice.

I`ll be back in a minute.

MAN:

Do you wanna warm up, Mr. Johnson?.

Well, all right. Thank you.

MAN:

All right.

[ORCHESTRA PLAYlNG]

[SlNGlNG ""M`APPARl""]

[SlNGlNG] Marta

Ever-loving Marta

Mop, mop

You took away my heart-a

And then you took a part of me with you

I love you, Marta

I`d like to have a cart-a

Kisses

Because this is the missus

Whose kisses send me

Hey, Marta, baby

Won `t you listen?

Pet, leave the Met

Don `t regret

Forget about that opera jive

All these years, you`ve behaved

But you still can be saved

Hey, Marta, slip me five

Now, Marta, baby, welcome to the fold

You were cold, you were old

But now you got a beat that`s alive

Hey, Marta

Hey, Marta

Listen to the trumpets shout

The clarinets are giving out

Marta, sounds like you hail

From New Orleans

Marta, sakes alive

Hey, Marta, slip me five

Stop it. Stop it.

You know that kind of singing

gets on my goat.

Oh, l`m sorry, Dad.

Oh, Norman, this is my bad boy, Dick.

-Mr. Randall, Dick.

-Glad to know you.

How are you, Dick?.

We`re feeling a little gay, eh?.

Oh, I get taken that way sometimes.

-I was trying to tell my dad--

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Gladys Lehman

Gladys Lehman (January 24th, 1892 – April 7th, 1993) was an American screenwriter. Lehman was born in Gates, Oregon as Gladys Collins. As a college student she was initiated into Gamma Phi Beta sorority at the Xi chapter at the University of Idaho. Lehman was one of the founders of the Screen Writers Guild in 1933. Under contract at Universal from 1926 to 1932, she followed that with free-lance work until the early 1950s. She was also one of the founding members of the Motion Picture Relief Fund. As a screenwriter she shared an Oscar nomination with Richard Connell for Best Original Screenplay for Two Girls and a Sailor in 1944. more…

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Submitted on August 05, 2018

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