This Is Not a Film Page #3

Synopsis: It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
Genre: Documentary
Production: Palisades Tartan
  9 wins & 14 nominations.
 
IMDB:
7.5
Metacritic:
90
Rotten Tomatoes:
98%
NOT RATED
Year:
2011
75 min
$63,144
Website
75 Views


- No, thanks.

Then the parents leave on a trip

and lock the girl inside the house.

From now on, with all doors locked

the girl tries to find

some way out of the house.

lf she cannot get to Tehran

in time for registration,

she will be denied

the chance to go to university.

The film was supposed to take place

within the interior of the house

and l tried to do it

but l couldn't.

That's why l asked you

to come over and help me

in this location

to be able to tell the screenplay.

With the camera following me

rather than being placed on tripod,

l can tell the screenplay more easily.

So you are about to tell

your last screenplay that wasn't made?

Yes, but not in here.

lf l sit here and read

it will bore everyone.

But if we go to that area over there,

we can construct the conditions

to explain more easily.

Good.

So let's go over to the other side.

Very well. Cut.

Cut?

Go on. Cut.

You are not directing.

It's an offence.

You just read the screenplay.

So l'm not a director any more.

Ok. If you are going to describe,

then leave the rest to me.

Just tell us your screenplay

and l'll follow you.

l hope it works.

By the way,

acting and reading screenplay by me

are not going to be counted

as offence, are they?

l hope not.

No, they aren't.

So far it says...

from writing screenplays,

from leaving the country,

from having interviews.

Acting and reading screenplays

were not mentioned.

Thanks God.

l think this space here

should be enough for our story.

This location does not match

our main character, Maryam...

since she's from a lower class.

We can only recreate the location here

so we can get a feel of her situation...

Just a moment.

Let's imagine this rug is the girl's home.

We suppose the girl's entire, house

to be this area here

and l'll start from here...

and these lines that l draw...

are the walls of the girl's room.

This is her room.

Let's say this is her bed

and she's lying here.

There's a window here.

The opening shot will be of this window.

This shot will last about 6

and we'll only be seeing the alley.

Then the entrance to the room will be here.

Here's the entrance to the girl's room.

And here's the entrance to the house.

They enter through here.

The living room is here.

A few stairs and we enter...

the girl's room.

Take these to be the stairs.

Here's the alley.

Here's the house next-door.

The boy always stands here.

l'll tell of some events

that take place inside this house.

This is the location l found

on my trip to Isfahan.

The window had to be altered

to match my idea.

Here's the girl's room

and it's in a mess right now,

and we had to change the arrangements.

These are the stairs

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Jafar Panahi

Jafar Panahi (Persian: جعفر پناهی‎; born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly identified with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian film-maker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award won by an Iranian film at Cannes. Panahi was quickly recognized as one of the most influential film-makers in Iran. Although his films were often banned in his own country, he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told — in fact he has made a successful career in not doing as he is told."After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations from around the world, in December 2010 Panahi was sentenced to a six-year jail sentence and a 20-year ban on directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media, or from leaving the country except for medical treatment or making the Hajj pilgrimage. While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary in spite of the legal ramifications of his arrest. It was smuggled out of Iran in a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's new film Taxi premiered in competition at the 65th Berlin International Film Festival in February 2015 and won Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes film festival Award for Best Screenplay (tied) for 3 Faces; although he wasn't able to leave the country to attend the festival, his daughter, Solmaz Panahi, read his statement on behalf of him and received the award. more…

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Submitted on August 05, 2018

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