The Sword in the Stone Page #5

Synopsis: Arthur (aka Wart) is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for Wart beyond mere squiredom. He starts by trying to give Wart an education (whatever that is), believing that once one has an education, one can go anywhere. Needless to say, it doesn't quite work out that way.
Director(s): Wolfgang Reitherman
Production: Buena Vista Pictures
  Nominated for 1 Oscar. Another 1 win.
 
IMDB:
7.2
Metacritic:
70
Rotten Tomatoes:
71%
G
Year:
1963
79 min
3,834 Views


And the Wart's just as hot

for it as the rest of them.

He certainly is. That boy's

got real spark. Lots of spirit.

Throws himself heart and soul

into everything he does.

That's really worth something if it can

only be turned in the right direction.

Ha-ha.

Fat chance of that.

Oh, I plan to cheat,

of course.

Use magic. Every last trick

in the trade if I have to.

I'd give anything to go riding

about on a great white charger...

slaying dragons and griffins

and man-eating giants.

Well, won't you?

Oh. No. You see.

I'm an orphan, and a knight

must be of proper birth.

I only hope I'm worthy

to be Kay's squire.

That's a big job too,

you know.

Oh, indeed, yes, yes.

I would say almost impossible. Yes.

Well, now then. When I said

that I could swim like a fish...

I really meant as a fish.

You mean you can turn

yourself into a fish?

After all, I happen

to be a wizard.

- Could you turn me into a fish?

- Well, do you have any imagination?

Can you imagine yourself

as a fish?

Oh, that's easy.

I've done that lots of times.

Oh. Well, good. Then I think

that my magic can do the rest.

Archimedes, what, what

is that fish formula?

- Who? Who? What? What? What?

- You know, that, that,

that Latin business.

Hmm? Fish? Latin?

Oh, uh.

Aquarius aquaticus aqualitus.

And-And now if you don't mind...

I say good day to the both

of you, if you please.

When he stays out all night...

he's always grumpy

the next morning.

- Then he must stay out every night.

- Yes.

Oh. Oh, yes. Oh, I say,

that's very good, boy. Very.

Who? What? What?

All right, boy. All set.

Here we go.

Aquarius aquaticus

aqualitus quum.

Aqua digi tarium.

Merlin, am I a fish?

Am I a fish?

Yes. Yes, yes, yes, yes,

you are a fish...

but if you don't stop that

flippity-flopping around...

and get in the water,

you won't last long.

Now, now, stay right here in the tules

and I'll... I'll be with you in a minute.

Oh.

So you thought you could take

right off like a shot, did you?

Well, I am a fish,

aren't I?

You merely look

like a fish.

That doesn't mean that you can swim like

one. You, you don't have the instinct.

So, you'll have to use your,

your brain for a change.

You are living between

two planes now.

Somewhere between the ceiling

and the floor.

Now, there, there's lots

of ups and downs...

like-like, uh,

like a helicopter.

- Helicopter?

- Yes...

Oh. No, never mind.

Every flick of a fin

creates movement.

So, first we'll start

with a caudal fin.

No, no, boy.

Your tail. Tail.

Now, now, that gives you

the forward thrust now.

Come on. Let's get a rhythm.

Right, left.

Right, left. One, two.

Left and right

Like day and night

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Bill Peet

William Bartlett "Bill" Peet (né Peed; January 29, 1915 – May 11, 2002) was an American children's book illustrator and a story writer and animator for Disney Studios. Peet joined Disney in 1937 and worked first on Snow White and the Seven Dwarfs (1937) near the end of its production. Progressively, his involvement in the Disney studio's animated feature films and shorts increased, and he remained there until early in the development of The Jungle Book (1967). A row with Walt Disney over the direction of the project led to a permanent personal break. Other feature films that Peet worked on before he left include Pinocchio (1940), Fantasia (1940, The Pastoral Symphony sequence), Dumbo (1941), The Three Caballeros (1944), Song of the South (1946, cartoon sequences), So Dear to My Heart (1948, cartoon sequences), Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953), Sleeping Beauty (1959), 101 Dalmatians (1961), and The Sword in the Stone (1963). Peet's subsequent career was as a writer and illustrator of numerous children's books, including Capyboppy (1966), The Wump World (1970), The Whingdingdilly (1970), The Ant and the Elephant (1972), and Cyrus the Unsinkable Serpent (1975). more…

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Submitted on August 05, 2018

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