The Sword in the Stone Page #3

Synopsis: Arthur (aka Wart) is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for Wart beyond mere squiredom. He starts by trying to give Wart an education (whatever that is), believing that once one has an education, one can go anywhere. Needless to say, it doesn't quite work out that way.
Director(s): Wolfgang Reitherman
Production: Buena Vista Pictures
  Nominated for 1 Oscar. Another 1 win.
 
IMDB:
7.2
Metacritic:
70
Rotten Tomatoes:
71%
G
Year:
1963
79 min
3,774 Views


You had no business

letting him go.

Look, Dad, I'm not

the Wart's keeper.

Well, blast it all, I am.

After all, I, I took him in,

adopted the lad, you might say.

Being his foster father,

well, I'm responsible.

Whoop.

Tiger! Talbot! Off with you.

Now, look here, Wart.

What's the big idea of

gallivanting off in the woods...

and worrying the living

daylights out of everybody?

- I'm sorry, sir.

- Well, sorry's not enough.

That's four demerits.

Four hours extra kitchen duty.

Eh, report to the cook!

- But, sir, I'd like you to meet...

- Go on, hop it, boy, hop, hop, hop it!

Well, yes, you've got to keep a tight

schedule to run a big place like this.

Need strict rules.

Especially for small boys.

And I most certainly agree.

Who are you and...

Oh. I mean, uh, you?

Uh, my name is Merlin.

Uh, this is Archimedes.

A highly educated owl.

Educated owl?

Say, that's a good one.

Say. Hey, I know.

You've got him under a spell,

Marvin. You're a magician.

The name is Merlin.

And I happen to be the world's

most powerful wizard.

Come off it, man.

Gadzooks!

All right.

I shall demonstrate.

Higitus figitus migitus moe...

wind and snow

swirl and blow!

What the devil

are you up to?

And that is what I call

a "wizard blizzard."

Hey, Kay, would

you look at this?

An indoor blizzard.

And in the month of July.

So what?

All right, Marvin. Turn her off.

I'm convinced.

Alakazam!

I, uh... I hope you don't go in

for any of that black magic.

Oh, no, no, no, no.

Never touch the stuff. No.

My magic is used mainly

for educational purposes.

In fact, that is why

I am here.

I have come

to educate the Wart.

Oh, no, you don't.

I'm running this place. And if you think

you're gonna fiddle with my schedule...

you'd better pack up your bag

of tricks and be gone.

Wha... Well, by Jove.

Hey, he's gone.

Hm-mmm. Good riddance.

I'm gone, but then,

I'm not gone.

So, if I do leave...

you could never be sure

that I am gone, can you?

Well, uh...

Well, I must say, you...

you got me there, Marvin.

Yes. Well, you win. You're

welcome to stay if you like.

Thank you.

You're very kind.

Very generous, I must say.

Well, uh, all we can offer

is room and board.

Hard times,

you know, Marvin.

We'll put you up

in the northwest tower.

That's the guest room.

It's a bit draughty in the winter...

but in this blazing hot weather,

it's the best room in the house.

Oh, yes.

Very lovely indeed.

So just make yourself

at home, Marvin.

Marvin, Marvin,

Marvin, Marvin.

Best room in the house!

Guest room!

Unwelcome-guest room!

But if he thinks that he can get rid of

me, I've got news for that old walrus.

- I'm sticking it out.

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Bill Peet

William Bartlett "Bill" Peet (né Peed; January 29, 1915 – May 11, 2002) was an American children's book illustrator and a story writer and animator for Disney Studios. Peet joined Disney in 1937 and worked first on Snow White and the Seven Dwarfs (1937) near the end of its production. Progressively, his involvement in the Disney studio's animated feature films and shorts increased, and he remained there until early in the development of The Jungle Book (1967). A row with Walt Disney over the direction of the project led to a permanent personal break. Other feature films that Peet worked on before he left include Pinocchio (1940), Fantasia (1940, The Pastoral Symphony sequence), Dumbo (1941), The Three Caballeros (1944), Song of the South (1946, cartoon sequences), So Dear to My Heart (1948, cartoon sequences), Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953), Sleeping Beauty (1959), 101 Dalmatians (1961), and The Sword in the Stone (1963). Peet's subsequent career was as a writer and illustrator of numerous children's books, including Capyboppy (1966), The Wump World (1970), The Whingdingdilly (1970), The Ant and the Elephant (1972), and Cyrus the Unsinkable Serpent (1975). more…

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Submitted on August 05, 2018

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