The Strange Love of Martha Ivers Page #5

Synopsis: In 1928, young heiress Martha Ivers fails to run off with friend Sam Masterson, and is involved in fatal events. Years later, Sam returns to find Martha the power behind Iverstown and married to "good boy" Walter O'Neil, now district attorney. At first, Sam is more interested in displaced blonde Toni Marachek than in his boyhood friends; but they draw him into a convoluted web of plotting and cross-purposes.
Director(s): Lewis Milestone
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
UNRATED
Year:
1946
116 min
697 Views


- everything.

- A cafe.

When I lived in this town,

there were nothing but saloons.

My father used to live in them.

- Mine, too.

- We're related.

I'll have the same thing you have,

if you don't mind.

Scotch. I take a plain water chaser

with that...

when the Scotch isn't so good.

Two water chasers.

Did you drive far?

About 600 miles since this morning.

You weren't driving anything tonight?

No, my Stanley Steamer's in the garage,

having her face lifted.

You'd better bring us a couple more

before curfew.

That'll be $2.

- On me.

- Thanks.

Maybe you'd like to drink to

finding your people?

No, my mother wouldn't approve of that.

How would you know after all this time?

After all this time you probably

wouldn't care, one way or the other.

You talk awful cold-blooded about them,

don't you?

- That's life.

- Is it a big family?

No, it wasn't.

Besides me, there were just the usual two

people necessary to increase the population.

Mother left when I was a baby,

and my father...

probably drank himself to death by now.

Another man I know talks cold

like that's my Dad.

He's the most cold-blooded man

in Ridgeville.

Once he kicked me.

Gee, it made me sick.

I can guess why you didn't break your neck

to catch that bus back to Ridgeville tonight.

I probably would have got on

and got off before it started out.

Or I would have got the jitters

the minute I got on.

Anyway, it's gone now, for tonight anyhow.

There won't be another one

until tomorrow night.

And now I know for sure,

I'm not going to make that one either.

Not the one to Ridgeville, at least.

But I'm so glad you came

to have a drink with me tonight.

I was so lonesome, I like to have died.

- Have you ever been that lonesome?

- How lonesome is that?

About as much as you can hold

without busting open.

Wanna know how I got that way?

Curfew. Shall we go home?

The reason I picked the hotel,

your hotel, it's really very...

You read the hotel advertising

on that when you had it.

You're smart.

Maybe you think I've been trying too hard

to get acquainted.

- Maybe you have.

- Maybe you think that's wrong.

Maybe it's too soon to tell.

I wonder what you're thinking.

I don't think you'll take up too much room

in my Stanley Steamer.

Maybe you're all right.

You think you can hold that thought

all the way to the Coast?

We better wait here for a minute.

Hey, I wanna ask you something.

Does that guy look like

a scared, little boy to you?

He looks like he's going to cry any minute.

Let's get away from him.

- Is Mr. O'Neil in?

- No, madam, not to my knowledge.

Walter.

Hello.

No words?

Can I have a cigarette?

- My lady's lips.

- I'll ring for some coffee for you.

Rate this script:5.0 / 2 votes

Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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