The Strange Love of Martha Ivers Page #4

Synopsis: In 1928, young heiress Martha Ivers fails to run off with friend Sam Masterson, and is involved in fatal events. Years later, Sam returns to find Martha the power behind Iverstown and married to "good boy" Walter O'Neil, now district attorney. At first, Sam is more interested in displaced blonde Toni Marachek than in his boyhood friends; but they draw him into a convoluted web of plotting and cross-purposes.
Director(s): Lewis Milestone
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
UNRATED
Year:
1946
116 min
696 Views


- You waiting for her?

Just came back to get my things.

I've been away for awhile.

- I'm waiting for a taxi.

- I used to live here, in this house.

Seventeen, eighteen years ago.

I was born here.

Don't kid me. You're older than that.

Well, I didn't move right after I was born.

Got one to spare?

- Got some more matches?

- You can have these.

Got the time?

- It's 11:
15.

- Now, ain't that just dandy?

- And I've got an 11:30 bus to catch.

- You can still make it.

Not if the taxi doesn't show up fast.

Know anybody who lives around here,

name of Masterson?

No.

- Know anybody in town at all, by that name?

- No, I'm from Ridgeville.

- Is your name Masterson?

- Yeah.

You mean, you're just getting home

after 18 years?

Well, 17 or 18.

You're just getting around

to looking up your people?

No, not exactly.

I just happened to be driving through

on my way West...

and got more or less curious, that's all.

Well, good luck.

- What you going to do?

- What do you mean?

I mean about your people.

I don't know. Maybe nothing.

Maybe tomorrow I'll go down to the

courthouse and look up the deaths...

- in the last 18 years.

- Can you do that?

Yeah, I think so.

Good night.

Bus terminal, please hurry.

I've got an 11:
30 bus to catch.

Mr. Masterson.

- I thought it was you, Mr. Masterson.

- I'm glad to see you again.

I gave you my last match.

Want a lift any place on the way

to the bus station?

You talked me into it.

You've got my matches. Got a name?

Toni. Antonia. Antonia Marachek.

Ain't that a dilly, Mr. Masterson?

Sam.

Please hurry.

The depot's just across the tracks.

You still got four minutes.

We would have made it,

if you didn't stop to pick up your gent.

We might be able to chase it.

I can get a bus back to Ridgeville tomorrow.

Maybe I won't get a bus back to Ridgeville.

Maybe I'll go someplace else.

Maybe in another direction.

Chicago or further west, maybe.

- Have you ever been out West before?

- Yeah.

I've never.

But maybe I will.

What's it like?

Big.

- Well, do you want to go back?

- I can't go back there.

I'll have to go someplace else.

Do you drink, Sam?

- Yes, I drink.

- I'll buy you one.

Okay.

Too bad, you want me to check your bag

in the station here?

Too bad, you want me to check your bag

in the station here?

I don't know. I guess I'll want it at a hotel.

- You don't want me to take you there?

- Do you happen to be at the Gable Hotel?

- Yeah.

- Can I go there?

It's a public place.

Here, tell the clerk that Sam Masterson

wants a room for a young lady.

- She'll register when she gets there.

- Yes, sir.

- Thanks.

- Keep it.

Classy. Blue lights, music...

Rate this script:5.0 / 2 votes

Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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