The Shop Around the Corner Page #4

Synopsis: In Budapest, Hungary, the Matuschek and Company store is owned by Mr. Hugo Matuschek and the bachelor Alfred Kralik is his best and most experienced salesman. When Klara Novak seeks a job position of saleswoman in the store, Matuschek hires her but Kralik and she do not get along. Meanwhile the lonely and dedicated Kralik has an unknown pen pal that he intends to propose very soon; however, he is fired without explanation by Matuschek on the night that he is going to meet his secret love. He goes to the bar where they have scheduled their meeting with his colleague Pirovitch and he surprisingly finds that Klara is his correspondent; however, ashamed After being let go he does not disclose his identity to her. When Matuschek discovers that he had misjudged Kralik and committed a mistake, he hires him again for the position of manager. But Klara is still fascinated with her correspondent and does not pay much attention to Alfred. Alfred works out a plan to reveal himself to Klara's who h
Genre: Comedy, Drama, Romance
Director(s): Ernst Lubitsch
Production: MGM
  2 wins.
 
IMDB:
8.1
Rotten Tomatoes:
100%
NOT RATED
Year:
1940
99 min
2,768 Views


It's out of the question.

- But...

- I have no time. I'm very busy.

I'm very sorry.

I'm afraid you're just wasting your time.

But I've got to have a job.

- Mr. Kralik.

- Just a moment, Mr. Matuschek.

- Have you tried Baum's Department Store?

- Every entrance.

I don't know what to tell you.

Maybe after inventory.

- When will that be?

- In a week or so.

- Kralik!

- Just a minute, Mr. Matuschek.

Please, may I leave my address?

If we need anybody, you'll be the first.

My name is Klara Novak, Duna Street, 42.

And if you need me in a hurry,

you can phone 246-422.

It's the grocery store downstairs.

Ask for Johanna,

and tell her you have a message for Klara.

"Business message for Klara."

Yes, I have that.

- Yes, Mr. Matuschek?

- Close the door.

Why did you put me in that situation

in front of the whole shop?

I'm very sorry, sir, but it was not my fault.

- Whose fault was it? Mine?

- Yes.

What's the matter with you, Kralik?

You're my oldest employee.

I do everything I can

to show my appreciation.

I ask you to my house.

- I'm very grateful, sir.

- You have a funny way of showing it.

You know how much

I value your judgment...

...and on every occasion you contradict me.

Whatever I say, you say, "no."

From now on, I say, "yes."

Yes, Mr. Matuschek. Yes, Mr. Matuschek.

Certainly, Mr. Matuschek.

Yes, Mr. Matuschek.

- That was a nice party last night.

- Yes, Mr. Matuschek.

- Yes, I had a lot of fun, didn't you?

- Yes.

I'm glad you enjoyed yourself so much.

That little poem that you wrote

in Mrs. Matuschek's guest book...

...did you make that up yourself?

It's sort of half and half.

- How do you mean?

- Half Shakespeare and half me.

I just changed the lines around

to suit the occasion.

I made that last line rhyme

with Matuschek, that's all.

- Mrs. Matuschek liked it very much.

- Thank you.

You made a fine impression on her.

Mrs. Matuschek thinks a lot of you.

And you know,

I think a lot of Mrs. Matuschek.

- Mr. Matuschek?

- Yes?

I've found a customer for the cigarette box.

What price shall I quote?

Well, let me see.

It costs us 2.85,

and I think we get five percent...

Let me take care of this, Mr. Matuschek.

Look, there's no use waiting now.

Believe me.

If there's an opening, you'll be the first.

Just a moment.

Tell me, would you buy a box like this?

Mr. Matuschek,

I couldn't buy anything at the moment.

No, I want your opinion.

Your honest opinion.

Now, don't let me influence you.

I just want your opinion.

Do you like this box?

Yes, I do. I think it's lovely.

Yes. Why?

Why?

I think it's romantic.

What's romantic about it?

Well, cigarettes and music, I don't know.

It makes me think of moonlight and...

Rate this script:5.0 / 1 vote

Samson Raphaelson

Samson Raphaelson (1894–1983) was a leading American playwright, screenwriter and fiction writer. While working as an advertising executive in New York, he wrote a short story based on the early life of Al Jolson, called The Day of Atonement, which he then converted into a play, The Jazz Singer. This would become the first talking picture, with Jolson as its star. He then worked as a screenwriter with Ernst Lubitsch on sophisticated comedies like Trouble in Paradise, The Shop Around the Corner, and Heaven Can Wait, and with Alfred Hitchcock on Suspicion. His short stories appeared in The Saturday Evening Post and other leading magazines, and he taught creative writing at the University of Illinois. more…

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Submitted on August 05, 2018

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