The Red Badge of Courage Page #5

Synopsis: Plot centers around how a young recruit (Audie Murphy) faces the horrors of war. Character vascilates between wanting to fight and doubting his own courage. In midst of first bloody encounter, Youth runs away. After seeing dead and wounded, sense of shame leads him back to his unit, where he distinguishes himself in the next battle. Having overcome his fear of "the great Death" he knows e can face whatever comes. Somewhat sentimental "coming of age" tale was pet project of John Huston, who fought MGM over casting of Murphy and Bill Mauldin in lead roles.
Genre: Drama, War
Director(s): John Huston
Production: WARNER BROTHERS PICTURES
  Nominated for 1 BAFTA Film Award. Another 1 win.
 
IMDB:
7.3
Rotten Tomatoes:
90%
APPROVED
Year:
1951
69 min
584 Views


had brought them victory.

He felt betrayed.

He wondered what they would remark,

when later he appeared in camp.

His mind heard howls of derision.

Don't jostle so, Johnson, you fool!

You think my leg's made of iron?

If you can't carry me decent,

let someone else do it.

Make way there, can't you?

Who does he think he is?

Some lunkhead of a general?

There's the kind that get the privileges.

Small wounds, big talk.

You just wait,

you won't get by with your insults.

I'll have you all court-martialed!

He regarded the wounded soldiers

in an envious way.

He conceived persons

with torn bodies to be...

peculiarly happy.

He wished that he, too, had a wound.

A red badge of courage.

Pretty good fight, wasn't it?

Pretty good fight, wasn't it?

Darn me, if I ever seen fellas fight so.

Lord, how they did fight.

I knew the boys would be all right

once they got square at it.

They ain't had no fair chance up to now.

This time they showed what they was.

I knew they'd turn out this way.

You can't lick them boys. No, sir.

They're fighters, they be.

Where are you hit, old boy?

Where are you hit?

Make way!

Jim.

Jim Conklin.

Hello, Henry.

Where you been?

I thought maybe you got keeled over.

There's been thunder to pay today.

I was wondering about it a good eon.

You know, I was out there...

and, what a circus.

By Jiminy.

I got shot.

I got shot.

I'll tell you what I'm scared of.

I'll tell you what I'm afraid of.

I'm afraid I'll fall down, and then you

know them darned artillery wagons...

they're like to run over me.

That's what I'm afraid of.

You don't have to worry, Jim.

- I'll take care of you. I swear I will.

- Sure? Will you, Henry?

Sure, Jim.

I've always been a good friend to you,

wasn't I, Henry?

I've always been a pretty good fella.

It ain't much to ask, is it...

just to pull me along out of the road?

I'd do it for you, wouldn't I?

No.

Better get him out of the road.

There's a battery coming.

He'll get run over for sure.

He's a goner anyhow,

in about five minutes.

- We'd better get him out of the road.

- Jim, come out of the road.

Move off the road!

Look where he's running.

Jim.

Jim, what are you doing?

No.

Don't touch me.

Leave me be...

can't you? For a minute?

Jim, what are you doing?

What made you do this?

No.

Leave me be.

He were a regular jim-dandy, weren't he?

A regular jim-dandy.

I wonder where he got his strength from.

I've never seen a man do like that before.

He were a regular jim-dandy.

What's happening over there?

What's the matter?

- What are you running from?

- Let go!

- What's happening over there?

- Let go.

You're in a pretty bad fix, son.

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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