The Red Badge of Courage Page #4

Synopsis: Plot centers around how a young recruit (Audie Murphy) faces the horrors of war. Character vascilates between wanting to fight and doubting his own courage. In midst of first bloody encounter, Youth runs away. After seeing dead and wounded, sense of shame leads him back to his unit, where he distinguishes himself in the next battle. Having overcome his fear of "the great Death" he knows e can face whatever comes. Somewhat sentimental "coming of age" tale was pet project of John Huston, who fought MGM over casting of Murphy and Bill Mauldin in lead roles.
Genre: Drama, War
Director(s): John Huston
Production: WARNER BROTHERS PICTURES
  Nominated for 1 BAFTA Film Award. Another 1 win.
 
IMDB:
7.3
Rotten Tomatoes:
90%
APPROVED
Year:
1951
69 min
577 Views


Go back, you cowards!

Get back in there and fight!

Get back in there and fight!

Go back, you cowards!

I'm hit! I'm killed!

The Rebs, they're coming.

Hold your fire.

Hold your fire.

You've got to hold them back, Captain!

You've got to hold them back.

All right, we'll do our best, sir.

Lieutenant, you mind me.

We got to hold, no matter what happens.

Yes, Captain. You men mind me.

We've got to hold! Can you hear me?

Get ready.

Hold your fire.

Fire!

Give me this!

Here, fire!

Keep firing!

The men look much bigger

through the powder smoke.

Bayonets as thick as a spiked iron fence.

I was so scared, my feet was frozen.

I never seen a man killed before.

Lost a pile of men, they did.

We lost some, too.

Who's that?

Gosh, it's Tim Foster.

It was him.

They're carrying in the hurt Rebs.

I hope there won't be no more fighting

till a week from Monday.

Unless I miss my guess,

them Rebs got their bellies full.

We showed them

some real fighting, all right.

So it was all over at last.

The supreme trial had been passed.

The red, formidable difficulties of war

had been vanquished.

He felt that he was a fine fellow.

He saw himself even, with those ideals...

which he had considered

as far beyond him.

A ball shot off my kneecap.

Somebody come help me.

Help me, somebody.

I can't let go of this tree.

Look, a ball shot off my kneecap.

Help me, somebody.

- A ball shot off...

- Bleeding like a cow.

Bleeding like a darned cow, it is.

Here, let me bind that leg for you.

Bleeding like a cow, it is.

Can't seem to stop her from bleeding.

Here they come again!

They're coming at us.

The youth stared.

Surely, he thought, this impossible thing

was not about to happen.

He waited as if he expected

the enemy to suddenly stop...

apologize, and retire bowing.

It was all a mistake.

Get back!

Get back!

I'll have you shot for a deserter!

Taylor's rushing his men.

They'll reach the woods before we know it.

We can't have that.

They'll be worn out

before they're committed.

I'd give my shoulder straps

for a fresh brigade.

Tompkins, go over and see Taylor.

Tell him not to be in such a hurry...

to stop his brigade on the edge

of the woods, come to detach a regiment.

The center will break unless we help it.

And tell him to hurry up.

Yes, sir.

We've held them, General.

Held them, have they?

We'll wallop them now!

We've got them sure!

Jons, ride after Tompkins.

- See Taylor, and tell him to go in.

- Yes, sir.

- Colonel, you inform Whiterside.

- Yes, sir!

They've held them, by heavens!

The youth cringed,

as if discovered in a crime.

So his regiment had won after all.

His imbecile comrades had remained.

And their very ignorance

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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