The Quiet American Page #6

Synopsis: In this adaptation of Graham Greene's prophetic novel about U.S. foreign policy failure in pre-war Indochina, Audie Murphy plays an innocent Young American opposite the older, cynical Brit Michael Redgrave. They play out their widely different views on the prospects struggle for the hearts and minds of the Vietnamese people in their competition over a young woman. Murphy wants to reform her and make her a typical middle class American housewife; Redgrave accepts her inability to formulate or retain a political ideal and while promising her no real future, he objects to Murphy's attempts to change her. It's not clear whether Murphy is just what he appears - a bungling Yankee do-gooder - or a deliberate agent of U.S. covert operations.
Production: United Artists
 
IMDB:
6.8
TV-PG
Year:
1958
120 min
361 Views


Unnecessary?

What do you mean?

I mean the defense of this country

that was conceived in the 19th century

and being fought in the 20th,

from Beau Geste forts that were built

a generation before the trenches of Verdun.

I had no idea you were, um,

a military analyst.

I am sure our battle command will want

to consult you before making further plans.

Your command here

has no authority to make plans.

They're made in Paris,

just as they were in the 19th century

and transmitted to you, isn't that so?

Shortly after dawn,

there will be a low altitude inspection flight

for the journalists.

You will require some sleep.

In other words, dismissed.

That's what I get

for not drinking on the job.

In case you haven't noticed, I'm sober.

One would never know.

You carry sobriety well.

Where's your faithful English nanny?

I may have to get a new one.

This nanny drinks too much.

Hey!

Wake up, cousin. It's time to go beddy-bye.

Yankee swine.

That's my boy. Up you go.

By the way,

what is that book you were reading?

I was wondering.

The poetry of Lamartine.

It is a comfort to me.

An escape, like whiskey, or...

It is of the 19th century.

What do you suppose they're up to?

And why would they send an American

of all people?

Hello, there.

- Do you know this man, Monsieur Fowler?

- I think I do.

I'm sure glad you're not asleep.

It took me longer than I figured.

I've got to get that jeep

back to Hanoi by morning.

What were you doing in Hanoi?

I was a stowaway, to tell the truth,

of one of our medical aid teams.

Remember I told you I wanted to come up

and get a look at it for myself firsthand.

I regret that I cannot supply a guide.

And, um, why did you come here

from Hanoi?

I just thought I'd drive down.

See Mr. Fowler.

You just thought...

You drove past I do not know how many

communist patrols.

Through our own bombardment of roads.

Is this to be believed?

It is to be believed.

Was that the French bombardment?

Well, it sure is accurate.

Some places the whole road was gone.

I had to guess where it picked up again.

Thank you for the compliment.

And, uh, someday,

when there is peace and time for it,

perhaps you will take my hand

and walk with me across the water

to America.

Well, the communists control

the roads at night.

What if they'd caught you

and cut your throat?

That's why I borrowed a jeep

with a big red cross painted on it.

They'd be sure to know

I was a non-combatant.

Of course.

Well, when you go on that walk

with the Colonel,

let me take your other hand.

- Well, anyway, I'm here.

- Yes, to see me. What about?

What does that mean?

It'll be dawn pretty soon.

The communist troops

vanish in the daytime.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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