The Quiet American Page #5

Synopsis: In this adaptation of Graham Greene's prophetic novel about U.S. foreign policy failure in pre-war Indochina, Audie Murphy plays an innocent Young American opposite the older, cynical Brit Michael Redgrave. They play out their widely different views on the prospects struggle for the hearts and minds of the Vietnamese people in their competition over a young woman. Murphy wants to reform her and make her a typical middle class American housewife; Redgrave accepts her inability to formulate or retain a political ideal and while promising her no real future, he objects to Murphy's attempts to change her. It's not clear whether Murphy is just what he appears - a bungling Yankee do-gooder - or a deliberate agent of U.S. covert operations.
Production: United Artists
 
IMDB:
6.8
TV-PG
Year:
1958
120 min
360 Views


An American.

Is he wealthy?

That you'll have to ask him.

He looks quiet and reliable.

Is he married?

That, too, you will have to ask him.

I would think not.

When an American is married,

he looks married.

This is Phuong's sister, Miss Hei.

How do you do, Miss Hei?

Do you come from New York?

No, uh, Texas.

Why not New York?

No particular reason.

I just happen to come from Texas.

I have a picture book of New York.

The bridge of George Washington live there.

Is your father

a successful businessman?

I'm afraid not. He... He's a professor.

A teacher. But a man of importance?

To the few

who consider teaching important.

Is he coming here?

I would like to make his acquaintance.

Do you have another sister?

You know I have not. Why?

Because you're cross-examining this

young man like a hungry marriage broker.

Do you have any particular bride in mind?

I have only one sister.

Exactly.

She needs to be secure.

She deserves to be secure.

She is good and very, very loyal.

Well, I must be going back to my friends.

I would like to meet you again.

Well, maybe we could all

have dinner together,

when Mr. Fowler gets back from the north.

When are you going to the north?

Very soon. Dominguez thinks

I ought to take a look at the war.

Then you must have dinner

with me and my sister

when Mr. Fowler is away. Good night.

She certainly speaks English well.

She makes herself understood.

We could finish to dance now, if you like.

If I like?

Well, uh,

dinner will be served at any instant.

It should be here by now.

When it will arrive, we will finish.

I might very well

have been there as a chaperone.

It was a role I didn't want to play.

To wear a smile and a look that said,

"Enjoy yourselves.

I like to watch you dance. "

Suddenly, I felt an uneasiness.

I wished I'd never heard the rumor

about the battle in the north.

I wished for Dominguez to tell me

it was only a rumor after all

and I didn't have to go.

But there I was,

about a week after our dinner

at the Rendezvous.

I wondered how long Phuong's sister

had waited before she called.

Oh, I'm sorry.

The noise of the mortar fire

has made you awake.

I wasn't sleeping.

They will not attack tonight in any case.

It is too close to daylight.

But we continue to break up

their concentrations.

Concentrations, my eye.

Your eye, Monsieur Granger?

Commies are concentrated

exactly one to a tree,

knocking off your mortar teams

like sitting ducks.

Let them run their own war, Granger,

it's the French who are dying.

Too many French are dying

that don't have to die.

They're my friends. I can't be unconcerned

about friends who die unnecessary deaths.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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