The Man of the Year Page #5

Synopsis: In Rio, Máiquel is without prospects. He's philosophical and low-key. When he loses a bet and must dye his hair blond, life changes: he finds new confidence, he asks Cledir, the hairdresser, on a date, and when he's teased by a local tough kid, he murders him. Instead of an arrest, Máiquel's a local hero; the cops look the other way. He and Cledir become lovers, his victim's girlfriend Érica, who's 15, insists that he protect her and moves into his small flat, and job offers come his way from a group of rich men who want to settle scores and get rid of local riff-raff. Where can this business go, and what about the triangle of Cledir, Érica and Máiquel? He just wants to be normal?
Genre: Action, Crime, Drama
Production: Film Movement
  8 wins & 12 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
100%
Year:
2003
105 min
Website
103 Views


Your hands are freezing.

Are you nervous?

Cledir, I've been thinking...

I've be thinking, and

I think it 's for the best...

Ready! I'm coming!

Ah, Miquel, I'm so pleased

to receive you in my home!

Sit down, son.

Now I can call you son, right?

We must register this occasion!

It's so nice to see you together.

Praise the Lord!

MiqueI's Coke!

I'll just fetch it.

- No ice, mom. He likes it without it.

- You told me so many times, I forgot.

I wanted to tell you...

See how happy she is?

She loves you.

I've got to tell you

something, Cledir.

I know this is a special

occasion for you...

Go on!

I think the time's not right yet...

Cheers! Cheers!

I'm going to recite a poem!

Quiet!

Life is an open air tunnel.

Love...

Oh, I'm no good at poetry.

When I think of Cledir I imagine

a world of four letters: Love.

What about the honeymoon?

We're going to Araruama.

Anyone been there?

No.

No money...

Humberto! This is Marco,

and that 's my cousin Robinson.

- So you need a job?

- Yes.

The guy who used to work with me

disappeared. Completely.

Do you like animals?

- Sure. Animals?

- Then the job's yours.

Miquel, come and cut the cake!

Cledir was so beautiful that day.

And I realized I wanted

to be a normal man.

A working man, married...

with children.

That's what I wanted, to be a

regular guy like everybody else.

I was going to work at the pet shop.

Everything would be fine.

Lots of sh*t, right?

Only thing these animals know

what to do is sh*t.

Might as well get used to it, you'll

have to clean up plenty of baby sh*t.

That 's what marriage is:

Baby sh*t.

And baby sh*t is like quicksand:

Take one step and the sh*t

won't let go of you.

- Not all marriages are the same.

- They are. Only the sh*t changes.

There's porous sh*t, runny sh*t...

Women are only cute

until their wedding day.

After that, they turn into fat,

vindictive cows.

They never forgive you for

having married them!

Do you have any dog biscuits?

- What brand?

- Any.

The most expensive.

So this is where

you're working, son?

Do you earn enough

to keep your family?

You did a good, clean job, kid.

Brilliant future ahead of you.

Dr. Carvalho, could we talk outside?

You went off before

I could fully show...

all my gratitude, son.

Not many people

you can rely on these days.

What's wrong? Regrets?

Regret becoming a hero?

Of having rid

society of a monster?

Here, this is for you.

See you around.

- That guy is a friend of yours?

- He's my dentist.

What a jerk.

See, Zilmar? From here I can see

all the entrances to the house.

A monitor for each camera.

I know who enters, who leaves.

It's great.

Sometimes I sit here with my whisky.

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Rubem Fonseca

Rubem Fonseca (born May 11, 1925) is a Brazilian writer. He was born in Juiz de Fora, in the state of Minas Gerais, but he has lived most of his life in Rio de Janeiro. In 1952, he started his career as a low-level cop and, later became a police commissioner, one of the highest ranks in the civil police of Brazil. Following the steps of American novelist Thomas Pynchon, a close friend of Fonseca, he refuses to give interviews and feels strongly about maintaining his privacy.His stories are dark and gritty, filled with violence and sexual content, and usually set in an urban environment. He claims a writer should have the courage to show what most people are afraid to say. His work is considered groundbreaking in Brazilian literature, up until then mostly focused on rural settings and usually treating cities with less interest. Almost all Brazilian contemporary writers acknowledge Fonseca's importance. Authors from the rising generation of Brazilian writers, such as Patrícia Melo or Luis Ruffato, have stated that Fonseca's writing has influenced their work.He started his career by writing short stories, considered by some critics as his strongest literary creations. His first popular novel was A Grande Arte (High Art), but "Agosto" is usually considered his best work. In 2003, he won the Camões Prize, considered to be the most important award in the Portuguese language. more…

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Submitted on August 05, 2018

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