The Man of the Year Page #4

Synopsis: In Rio, Máiquel is without prospects. He's philosophical and low-key. When he loses a bet and must dye his hair blond, life changes: he finds new confidence, he asks Cledir, the hairdresser, on a date, and when he's teased by a local tough kid, he murders him. Instead of an arrest, Máiquel's a local hero; the cops look the other way. He and Cledir become lovers, his victim's girlfriend Érica, who's 15, insists that he protect her and moves into his small flat, and job offers come his way from a group of rich men who want to settle scores and get rid of local riff-raff. Where can this business go, and what about the triangle of Cledir, Érica and Máiquel? He just wants to be normal?
Genre: Action, Crime, Drama
Production: Film Movement
  8 wins & 12 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
100%
Year:
2003
105 min
Website
103 Views


Right?

Take a 45, semi-automatic.

Knocks them right out. And the

ammo's readily available. Here.

Feel it.

Feel that power.

Feels like you're wearing

a crown, right?

Tell me.

You're Miquel, aren't you?

What's up, man?

Oh, nothing.

In those days,

I hadn't yet learned to hate.

People said Ezequiel was evil...

but all I could see

was this poor bastard.

Hi.

Hi.

Weren't you gonna introduce me your

friend who's staying at your place?

She's an acquaintance.

I'm going to take a shower.

Wait, I've got something

important to tell you.

- What's that on your shirt?

- Nothing.

I cut myself.

He's angry at me. But I already

told him I'm not leaving.

Promise she's leaving?

I promise.

Haven't you noticed anything

different? Take a good look.

I've put over 6 pounds,

can't you tell?

Guess.

I'm pregnant.

We can marry in March,

the baby'll be born in November.

So I can take my vacation from work.

You know the priest I told you about?

I love Father Oscar. At the church

Our Lady of Conception...

they do weddings with 15, 2O couples.

It's the loveliest thing in the world.

Or maybe we should just

get married by ourselves.

Or everyone will be comparing

dresses. Come on, say something!

I thought we could go

and live with my mom.

I don't really like this place.

We can do up that room at the back.

But tell me...

don't I look pregnant?

- A church wedding?

- Yeah.

With a wedding dress,

veil, garland, the works?

How am I meant to know?

Are you mad at me or at

yourself about getting married?

I want to marry.

I like Cledir.

I asked her to marry me.

Tomorrow I'm going to her place

to make the arrangements.

I want to change,

want to be a normal man...

have a family, kids,

go to church on Sundays...

Don't be ridiculous, Miquel!

And where would you get the money

to take care of us? You have no job.

You know we're

an unauthorized dealer.

You want in?

Fine, but that 's the deal.

No, Marco, that 's not my scene now.

I need a proper job.

I'm getting married.

Going to have a kid.

Why get married right now?

Go and tell her:

Look, I've no job, no money.

Make a deal with her. You don't know

what 's like to have a son. Tell her:

- Let 's get rid of the baby together.

- I want to get married, work.

If you ask me,

only dumb women get pregnant.

And they should pay the price on

their own. Let her bring up the brat.

Maybe it 's not even yours.

B*tches f*** around...

Not b*tch, man!

Cledir, there's something

I want to talk about.

- Look how it 's growing, so big now.

- It sure has grown.

Mom's coming, she's getting dressed.

Let 's just talk about the wedding,

no need to mention I'm pregnant, OK?

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Rubem Fonseca

Rubem Fonseca (born May 11, 1925) is a Brazilian writer. He was born in Juiz de Fora, in the state of Minas Gerais, but he has lived most of his life in Rio de Janeiro. In 1952, he started his career as a low-level cop and, later became a police commissioner, one of the highest ranks in the civil police of Brazil. Following the steps of American novelist Thomas Pynchon, a close friend of Fonseca, he refuses to give interviews and feels strongly about maintaining his privacy.His stories are dark and gritty, filled with violence and sexual content, and usually set in an urban environment. He claims a writer should have the courage to show what most people are afraid to say. His work is considered groundbreaking in Brazilian literature, up until then mostly focused on rural settings and usually treating cities with less interest. Almost all Brazilian contemporary writers acknowledge Fonseca's importance. Authors from the rising generation of Brazilian writers, such as Patrícia Melo or Luis Ruffato, have stated that Fonseca's writing has influenced their work.He started his career by writing short stories, considered by some critics as his strongest literary creations. His first popular novel was A Grande Arte (High Art), but "Agosto" is usually considered his best work. In 2003, he won the Camões Prize, considered to be the most important award in the Portuguese language. more…

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Submitted on August 05, 2018

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