The Magic Christian Page #3

Synopsis: Sir Guy Grand adopts homeless bum Youngman to be heir to his obscene wealth, and immediately begins bringing him into the intricacies of the family business, which is to prey upon people's greed by use of the vast holdings of the Grand empire. They leave no stone unturned as sporting events, restaurants, art galleries, and traditional pheasant hunts turn into lurid displays of bad manners and profiteering. Things climax at the social event of the season, the inaugural voyage of the new pleasure cruiser The Magic Christian.
Genre: Comedy
Director(s): Joseph McGrath
Production: Commonwealth United Entertaime
 
IMDB:
6.1
Rotten Tomatoes:
56%
M
Year:
1969
92 min
517 Views


Winthrop? - Yes. Um, what about,

"There's power to spare...

Under this big baby's

40-foot hood"?

What about it?

Performance.

Me, sir.

Hampton.

Um, "You're sure

to enjoy the big...

Gang's-all-here backseat."

Hampton, try that again

with an American accent.

That was an American accent, sir.

Good lord.

What's going on over there?

[horn honks]

Maltravers.

Uh, getting the feel

of this big baby,

- Mm.

- Has been one...

Grand thrill,

believe you me.

Hmm.

[film stops]

Hmm.

Best sleep on it, eh?

Never one to overextend.

Gentlemen, as you know,

[sniffles]

The family tree over a certain...

Grand guy--

Guy Grand--

Has borne no fruit.

[men murmuring agreement]

The stoutiest efforts

by my sisters and I,

Quite independently, of course,

Has not yielded grand progeny.

By good luck however,

One, perhaps two soiree ago,

I chanced upon a likely lad.

[men murmuring]

And, gentlemen,

May I tell you it was your

proverbial love at first sight.

Paternal, of course.

So, gentlemen,

It is with great pride

and pleasure...

That I introduce you now...

To my only son and "proge,"

Master Youngman Grand, esq.

Hello.

for he's a jolly

grand fellow

for he's a jolly

grand fellow

for he's a jolly

grand fellow

and so say all of us

Thank you, thank you, thank you.

You're damned good lads, the lot of you.

- You too, Guy.

- Yes, thank you.

And you're thinking men as well,

If memory serves.

Unfortunately, that fact

is not always reflected...

In our, uh, quarterly reports.

Anyway, gentlemen,

may I take a page...

From our own late, great

Rudy the Kip Kipling?

Let our Kipling speak.

"There was a young lady

from Exeter...

"and all the young men...

"threw their sex at her.

"Just to be rude,

she lay in the nude...

"while her parrot, the pervert,

Took pecks at her."

[brakes screeching]

Gentlemen, my man Jeff

has your envelopes.

Please do not open them

until you are outside.

Inside you will find a month's

generous remuneration,

A map containing a clue as

to your present whereabouts,

And a set of day-glo references...

To present to your

next lucky employer.

Leave your flowers and your pencils

on the table as you go, would you?

Lord Hampton?

Lord Hampton?

[men chattering indistinctly]

Lord Hampton?

Milk or lemon, Esther?

Both, please.

Hello, dears.

Ah, there you are, Guy.

Oh, angel's passing.

Guy, Guy, always on the go.

We're just having tea, darling.

You will join us?

Now you will take tea, Youngman?

This is bloody North America.

What's yours? I don't know.

I've been fired before,

but never in Afghanistan.

Scone, Guy?

I-I-I think not, darling.

Hello, family Grand!

[Agnes] Just in time for tea.

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Terry Southern

Terry Southern (May 1, 1924 – October 29, 1995) was an American novelist, essayist, screenwriter, and university lecturer, noted for his distinctive satirical style. Part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village, Southern was also at the center of Swinging London in the 1960s and helped to change the style and substance of American films in the 1970s. He briefly wrote for Saturday Night Live in the 1980s. Southern's dark and often absurdist style of satire helped to define the sensibilities of several generations of writers, readers, directors and film goers. He is credited by journalist Tom Wolfe as having invented New Journalism with the publication of "Twirling at Ole Miss" in Esquire in February 1963. Southern's reputation was established with the publication of his comic novels Candy and The Magic Christian and through his gift for writing memorable film dialogue as evident in Dr. Strangelove, The Loved One, The Cincinnati Kid, and The Magic Christian. His work on Easy Rider helped create the independent film movement of the 1970s. more…

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Submitted on August 05, 2018

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    "The Magic Christian" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/the_magic_christian_13161>.

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