The Loss of a Teardrop Diamond Page #6

Synopsis: Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting those around her. After returning from studies overseas, Fisher falls in love with Jimmy, the down-and-out son of an alcoholic father and an insane mother who works at a store on her family's plantation. She tries to pass him off as an upper-class suitor to appease the spinster aunt who controls her family's fortune, but when she loses a diamond, it places their tenuous relationship in further jeopardy.
Genre: Drama, Romance
Director(s): Jodie Markell
Production: Paladin
  1 nomination.
 
IMDB:
5.9
Metacritic:
51
Rotten Tomatoes:
25%
PG-13
Year:
2008
102 min
$94,513
Website
530 Views


- Oh, she's very cross

with you, Jimmy.

I hope she doesn't think

you're responsible for the loss.

- I'm gonna go back up

that goddamn car.

She did jump out

before it stopped.

Mad at me.

Yeah, mad as hops,

and I think I know why.

- Flashlight.

- I doubt somehow

that it's gonna be recovered.

You did back up the car.

- You did jump out

before I stopped.

- Are you calling me a liar?

- I saw her jump

out of the car too.

- How about you, Julie?

- Oh, it's so terribly dark,

I just saw the car lights

as you entered the drive.

- This young lady

who says she's your cousin

must have exceptional vision.

- Jimmy, I think I know

what happened.

It fell in a pocket

of your jacket.

- You think I got it on me?

- Jimmy.

Where do you think you're going,

Jimmy Dobyne?

- Well,

if your accusation is right,

to the county jail.

- What accusation?

I made no accusation.

- Here's my jacket.

Search the pockets.

I will do no such thing.

You misunderstood me.

I only meant

it could have dropped

in your pocket by accident.

You know it.

Don't you remember?

I...

I leaned my head

on your shoulder on the levee.

That's probably when...

oh, this is absurd.

I'm ruining my slippers

on this gravel drive.

- Well, you go back

and enjoy the party.

I couldn't go now.

- I can't go back

without a date.

- Well, wouldn't it be better

than going back

with a suspected thief?

- You've got to go back

with me.

Think of the talk

if you don't.

- Look through the pockets

of the jacket.

- If you insist.

- Of course, I ought to be

searched to the skin.

That's what I'll demand

if I go back there with you.

- You don't understand me yet,

Jimmy.

- Does anybody?

- Nobody I know of,

to tell you the truth.

I'm an only child

and the heiress of two fortunes.

- Do you always talk so much

about your financial prospects

depending on death?

- In Memphis,

it's not necessary.

It's too well known.

- And has it made you

popular there?

- With some kinds of people,

yes.

- The kind of people you like?

- I don't like people,

but sometimes I like one person.

- And do I have the honor

of being the one you liked

till you lost

your teardrop diamond?

- Why else would I be here

with you?

Come on.

Please.

- Haven't I seen you before?

- Not that I recall.

- Oh, I know.

It was just a photo of you

as debutante of the season

in Memphis.

- Julie.

- We came out last season,

still go to the important

parties in Memphis,

such as Susie Bracken's.

- Yes, her debut's tonight.

We were invited,

of course, but we-

- Didn't want

to disappoint Julie.

- You seem to be alone here.

Did you come here alone?

- I don't see

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Tennessee Williams

Thomas Lanier "Tennessee" Williams III (March 26, 1911 – February 25, 1983) was an American playwright. Along with Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.After years of obscurity, at age 33 he became suddenly famous with the success of The Glass Menagerie (1944) in New York City. This play closely reflected his own unhappy family background. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959). With his later work, he attempted a new style that did not appeal to audiences. Increasing alcohol and drug dependence inhibited his creative expression. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman.Much of Williams' most acclaimed work has been adapted for the cinema. He also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame. more…

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Submitted on August 05, 2018

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