The Loss of a Teardrop Diamond Page #5

Synopsis: Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting those around her. After returning from studies overseas, Fisher falls in love with Jimmy, the down-and-out son of an alcoholic father and an insane mother who works at a store on her family's plantation. She tries to pass him off as an upper-class suitor to appease the spinster aunt who controls her family's fortune, but when she loses a diamond, it places their tenuous relationship in further jeopardy.
Genre: Drama, Romance
Director(s): Jodie Markell
Production: Paladin
  1 nomination.
 
IMDB:
5.9
Metacritic:
51
Rotten Tomatoes:
25%
PG-13
Year:
2008
102 min
$94,513
Website
528 Views


because they're chilly.

And how could I be chilly

in my leopard-skin coat?

Really, you are silly, Jimmy.

Isn't that why I like you?

- Hey,

why'd you do that?

- What?

- Jumped out

before the car stopped.

You could have got hurt.

Hurt? Me?

Never, but thanks

for your solicitude.

Oh, Lord.

Do you know what's happened?

One of my teardrop diamonds

has fallen off.

I mustn't move.

Oh, I-I think it fell off

right here where I'm standing.

Look in the car.

It must have come loose

in the car.

I'll stand here

where I stopped.

It may be under the gravel

that you kicked around.

- Who's there?

- It's me.

- Fishy.

- It's us, I mean.

- They seem to be looking

for something?

- It might be a good idea

to turn the car lights on,

don't you think,

Jimmy?

- Did you lose something,

Fisher?

- Nothing less than a $5,000

teardrop diamond, honey.

- My Lord. Where?

- Somewhere between the car

and where I'm standing.

- You see it on the drive,

Fisher?

- No.

Do you see it in the car?

- Looking,

still looking.

- Is that Jim Dobyne

in the car?

- Yes, but that's scarcely

my concern at the moment.

- It's nowhere

in the front of the car.

- I had it on

when I got in the car.

And I didn't get out of the car

anywhere on the way here, did I?

- You're out of the car now,

Fisher.

- Well, look around

where I'm standing.

- Fisher, you walked

halfway to the house

before you discovered

you lost it.

- I guess I know how far

from the car I walked.

Will you please borrow

a flashlight from the house?

Is that too much to ask of you?

- Fisher,

don't get hysterical.

I'll bring you a flashlight.

- Who is that common-looking

tramp talking to my escort?

- Vinnie, my cousin.

Now, excuse me.

I'll go get you

that flashlight.

- I've never been

to Julie's before.

- You look good.

I've never seen you

in a suit before.

- Fisher, I thought you said

you were gonna stay

where you thought

you dropped it.

- I'm retracing my steps

to the car.

- Never expected

to see you again in my life.

- God, I'm glad

you're here, Vin.

- I don't want to interrupt

your reunion.

Old friends, are you, Jimmy?

- I'm Julie's cousin,

Lavinia McCorkle.

- How do you do?

Julie's gone for a flashlight.

Obviously...

- What?

- The earring dropped off

before I got out of the car.

- Well, now,

just where was that?

You were out before we stopped

like a jumping flea.

- A charming simile.

So you are Julie's cousin?

- Didn't I say so?

- Sometimes

there's no resemblance

between relations.

- I'm gonna go back up the car

since you did jump out

before we stopped.

- I did not.

- You did.

- Don't move the car.

I'll go look for it.

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Tennessee Williams

Thomas Lanier "Tennessee" Williams III (March 26, 1911 – February 25, 1983) was an American playwright. Along with Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.After years of obscurity, at age 33 he became suddenly famous with the success of The Glass Menagerie (1944) in New York City. This play closely reflected his own unhappy family background. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959). With his later work, he attempted a new style that did not appeal to audiences. Increasing alcohol and drug dependence inhibited his creative expression. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman.Much of Williams' most acclaimed work has been adapted for the cinema. He also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame. more…

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Submitted on August 05, 2018

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