The Long Voyage Home Page #3

Synopsis: Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on each other, comfort each other as death approaches, and rescue each other from danger.
Genre: Drama, War
Director(s): John Ford
Production: Criterion Collection
  Nominated for 6 Oscars. Another 3 wins & 1 nomination.
 
IMDB:
7.1
Rotten Tomatoes:
100%
APPROVED
Year:
1940
105 min
235 Views


You won't go home. You'll get drunk.

The only way you'll see that farm | is through a bottle.

You stop that.

Stop what, square-head?

You don't make a fool of Ole.

He's going home. | By devil, you've got no home.

I got no home. | None of us got a home but Ole.

And if you stop him, I fight you.

You go home, Ole.

Your mother is old. Where's my hat?

She needs you. She wants you. | You don't go anymore on sailing.

That's no good, Ole. That's no good.

You go home to your mother.

She's old, and she needs you.

Yeah, I go home.

You go home.

And here are your instructions | for the stowage of high explosives.

- High explosives. | - Are your cargo holds quite dry?

Oh, yes.

I'm not worried | about keeping the cargo dry,

but about getting through the war zone.

We haven't enough speed | to run away from a rowboat.

Not even a machine gun | to make a fight of it.

If anything hits us below the waterline, | we'd go up like a kite.

Nevertheless,

every ship that gets to England | is helping to win the war.

And every officer and man | in the merchant marine is doing his bit.

- Unsung heroes... | - Is this when you want us to sail?

Oh, yes. Time is very important, you know.

Is it?

Unsung heroes.

Like a curse!

Hey, Yank. Drisk.

Come here.

- Hey. Hey, did you know about this? | - What are you talking about?

I was wondering | what all them blooming uniformed guards

were hanging around for.

- That explains it. | - TNT.

TNT, it's high explosives.

It's the same thing, isn't it?

It's worse. It's ammunition.

- By jiminy Christmas. | - The devil with it.

Load up an old hooker like this | full of that blooming stuff

and what is she? Just a bomb!

A great, big dynamite bomb!

I quit!

Well, we're all quitting, I'm thinking.

I'm through.

Captain wants you out, men. | Everybody out.

Sir, what's the meaning of this?

Captain will answer your questions.

But we didn't sign on for the kind...

- Okay, hop it. He's waiting. | - Well, so are we.

All right, let the old man himself explain...

By devil, I quit!

I ain't gonna sign on this old tub again.

As far as this job's concerned, | you men haven't got any names.

You're just so many hands,

just as I am a boss | to see this cargo gets to England.

If it doesn't get there, | it'll be missed, but we won't.

Now I know it's the usual thing | for the fo'c's'le hands to grouse.

So if anybody's got | any objection to what I've said,

well, step forward. Let's hear it.

Right. Well from now on | till you're paid off in London,

you get 25% bonus on your wages.

There's one thing more.

Owing to circumstances | over which I've got no control,

nobody is allowed to leave the ship.

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Eugene O'Neill

Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright and Nobel laureate in Literature. His poetically titled plays were among the first to introduce into U.S. drama techniques of realism earlier associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. The drama Long Day's Journey into Night is often numbered on the short list of the finest U.S. plays in the 20th century, alongside Tennessee Williams's A Streetcar Named Desire and Arthur Miller's Death of a Salesman.O'Neill's plays were among the first to include speeches in American English vernacular and involve characters on the fringes of society. They struggle to maintain their hopes and aspirations, but ultimately slide into disillusionment and despair. Of his very few comedies, only one is well-known (Ah, Wilderness!). Nearly all of his other plays involve some degree of tragedy and personal pessimism. more…

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Submitted on August 05, 2018

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    "The Long Voyage Home" Scripts.com. STANDS4 LLC, 2024. Web. 7 May 2024. <https://www.scripts.com/script/the_long_voyage_home_20731>.

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