The Lady in the Van Page #7

Synopsis: The Lady in the Van tells the true story of Alan Bennett's strained friendship with Miss Mary Shepherd, an eccentric homeless woman whom Bennett befriended in the 1970s before allowing her temporarily to park her Bedford van in the driveway of his Camden home. She stayed there for 15 years. As the story develops Bennett learns that Miss Shepherd is really Margaret Fairchild (died 1989), a former gifted pupil of the pianist Alfred Cortot. She had played Chopin in a promenade concert, tried to become a nun, was committed to an institution by her brother, escaped, had an accident when her van was hit by a motorcyclist for which she believed herself to blame, and thereafter lived in fear of arrest.
Director(s): Nicholas Hytner
Production: Sony Pictures
  Nominated for 1 Golden Globe. Another 1 win & 5 nominations.
 
IMDB:
6.7
Metacritic:
70
Rotten Tomatoes:
89%
PG-13
Year:
2015
104 min
1,227 Views


Miss Shepherd?

Miss Shepherd, are you all right?

Yes, yes. I think so.

What was it about?

It wasn't the police, was it?

No. They were louts, but if you choose to

live like this, it's what you must expect.

I didn't choose. I was chosen.

Well, that settles it.

You think?

I can't always be looking out for her.

I'm not her keeper.

I mean, what happens to work?

- I think she should either go or...

- Or what?

Or bring the van into the drive,

where we can forget about her.

Actually, that's why some men marry.

So they don't have to think any more

about their wives.

- That's not bad.

- Yes, except it's Proust.

Oh, yes.

And it'll only be for a few months,

until she decides where she's going.

It'll be easier, but it's not kindness.

No.

"Good nature,

or what is often considered as such,"

"is the most selfish of all virtues."

"It is nine times out of 10

mere indolence of disposition."

That's not you.

Hazlitt. And it's will. Pure will.

She's known what she's wanted all along.

The soul in question did confess

though in guarded terms

in Rome in Holy Year,

though I'm not sure

the priest understood English.

Do I look like a joy rider?

My child,

you have already been given absolution

for this particular sin.

I have given you it myself

on several occasions.

Have faith. Absolution

is not like a bus pass.

It does not run out.

Christ.

There's air freshener

behind the Virgin.

I thought we'd

finally got rid of her.

He's a saint.

Ralph was the same.

Some people are just kind.

- Kind?

- This is London, Ursula. Nobody's kind.

Yeah, that's true.

And now the old cow

has got a foot in the door. He's a fool.

- Who else would do it?

- Yes.

We might. It's just the girls-.

Pauline.

I'm just an unemployed actor, and I don't

know the lady, but can I ask something?

- What makes her Alan's problem?

- Quite.

Darling, she's a human being.

Only just.

Changing the subject.

When are we going to find Alan a girl?

Oh! Josephine's pregnant again.

Oh, no! Actually, I'm just trying to think

who Josephine is.

- The hamster.

- Jesus.

- Here we are.

- Ah!

We were just saying how grateful she'll be.

Yes.

Put the van in your drive?

That never occurred to me.

I don't know. I don't know.

It might not be convenient.

No, I've thought it over.

Believe me, Miss Shepherd, it's all right.

Just till you sort yourself out.

Well, not convenient for you!

Convenient for me.

You're not doing me a favour, you know.

I have got other fish to fry.

A man on the pavement told me

if I went south of the river,

I'd be welcomed with open arms.

I was about to do her a good turn,

but, as ever,

it was not without

thoughts of strangulation.

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Alan Bennett

Alan Bennett (born 9 May 1934) is an English playwright, screenwriter, actor and author. He was born in Leeds and attended Oxford University where he studied history and performed with the Oxford Revue. He stayed to teach and research medieval history at the university for several years. His collaboration as writer and performer with Dudley Moore, Jonathan Miller and Peter Cook in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame. He gave up academia, and turned to writing full-time, his first stage play Forty Years On being produced in 1968. His work includes The Madness of George III and its film adaptation, the series of monologues Talking Heads, play and subsequent film of The History Boys, and popular audio books, including his readings of Alice's Adventures in Wonderland and Winnie-the-Pooh. more…

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Submitted on August 05, 2018

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