The King of Comedy Page #5

Synopsis: The King of Comedy is a 1983 American satirical black comedy film directed by Martin Scorsese and starring Robert De Niro, Jerry Lewis and Sandra Bernhard. Written by Paul D. Zimmerman, the film focuses on themes including celebrity worship and American media culture. 20th Century Fox released the film on February 18, 1983, in the United States, though the film was released two months earlier in Iceland. The film began shooting in New York on June 1, 1981, to avoid clashing with a forthcoming writers' strike, and opened the Cannes Film Festival in 1983.
Genre: Comedy, Crime, Drama
Production: Fox
  Won 1 BAFTA Film Award. Another 2 wins & 6 nominations.
 
IMDB:
7.8
Metacritic:
73
Rotten Tomatoes:
90%
PG
Year:
1982
109 min
1,466 Views


PUPKIN:

(to the handkerchief)

Thanks, Jerry.

The CAMERA MOVES IN for a CLOSE-UP of PUPKIN in a kind of daze.

FADE TO:

4INT:
SARDI'S RESTAURANT - DAY

PUPKIN and LANGFORD stand at the edge of the foyer, waiting

for the Maitre d' to seat them. VINCENT, the owner, spots

them and hurries over.

VINCENT:

I'm sorry, Mr. Langford. (To PUPKIN,

angrily) How did you get in?

LANGFORD:

That's alright, Vincent. Mr. Pupkin's a

friend of mine.

VINCENT:

(puzzled)

Oh, I see.

PUPKIN:

That's alright. Now if you'd be good enough

to find us a nice table.

PUPKIN pushes a five dollar bill into VINCENT's hand.

VINCENT:

Certainly. This way, please.

VINCENT leads PUPKIN and LANGFORD to the "bullpen," a

select spot in a corner of the restaurant.

VINCENT:

Here you are. Enjoy your lunch, gentlemen.

LANGFORD:

Is Eddie here today, Vincent?

VINCENT:

I'll send him over.

A WAITER arrives and hands them the menu.

WAITER:

Our specialty today is Rizzofino Dolce Acqua

a la Marinara con Spezi. Very good.

PUPKIN:

Sounds like a new opera.

LANGFORD:

Fine. What comes with it?

WAITER:

Me.

The three laugh.

PUPKIN:

Fine. For two.

WAITER:

Very good.

The WAITER leaves.

PUPKIN:

You look tired, Jerry.

LANGFORD:

It shows, does it? It's all these problems

with the show. That and the custody suit.

PUPKIN:

I was sorry to read about that, Jerry.

Charlene never should have gotten the

kids. If there's anything I can do.

LANGFORD:

I appreciate it, Rube. Just talking about

it a little with you helps.

Eddie arrives. He is a small, slightly-bald man with

greying hair and a goatee. He wears a foulard under an

open-necked shirt. He carries a long sketch pad. He

immediately sets up a small easel and starts sketching.

PUPKIN:

Hasn't Eddie already done you?

LANGFORD:

Never mind. You were saying ...

PUPKIN:

Well, I've been giving a lot of thought

to your situation, Jerry, ever since I

saw you starting to lose ground in the

ratings. And I think I know what the

problem is. Too many of the same faces.

LANGFORD:

Yeah?

PUPKIN:

Sure, people are getting tired of these

people who live off game shows and talk

shows and can't really do anything. They've

seen 'em and heard 'em till they can't

stand it anymore.

LANGFORD:

You know, maybe you're right, Rube.

PUPKIN:

I'm sure I am. When a show runs out of

surprises, it loses its audience.

A YOUNG GIRL stands before PUPKIN and LANGFORD. She hands

PUPKIN her autograph book.

PUPKIN:

What's your name, dear?

GIRL:

Dolores.

PUPKIN:

(writing)

To Dolores, who sensed greatness.

Rupert Pupkin.

GIRL:

(reading it)

Thanks, Mr. Pupkin.

The GIRL leaves.

PUPKIN:

You see what I mean? What you need on the

show is some unknown quantity, some brilliant

talent making his television debut. Imagine

the suspense. Who is this young guy? How

will he do with the eyes of all America on

him? Something like that has got to help.

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Paul D. Zimmerman

Paul D. Zimmerman (3 July 1938 - 2 March 1993 in Princeton, New Jersey) was a screenwriter, film critic and activist. He was a film critic for Newsweek magazine from 1967 to 1975, and also wrote for television shows including Sesame Street but is probably best known for writing The King of Comedy (1983), directed by Martin Scorsese. He was also the co-writer of Lovers and Liars (1979) and Consuming Passions (1988) Zimmerman was the author of many other screenplays, mostly unproduced, as well as the books The Open Man, The Year the Mets Lost Last Place and The Marx Brothers at the Movies (1968). Active in the Nuclear Freeze movement, he managed to become a member of the Pennsylvania delegation to the Republican Party convention in 1984 in order to be the only person to vote against Ronald Reagan. Zimmerman died of colon cancer months after similarly voting against incumbent President Bush. more…

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