The French Connection II Page #3

Year:
1975
581 Views


Give me about two fingers, like that.

- Un autre?

- Yeah. Um...

Give yourself one too.

- Pour moi?

- What's your name?

Andr.

Help yourself to one. I want...

Somebody's gonna have a drink with me.

- Um... you.

- Moi?

Right. Give yourself a drink.

boire, pour moi? Merci beaucoup.

You're gonna drink that green sh*t?

J'aime beaucoup a.

- That's not... Hey, come on. Fill it up.

- Merci beaucoup.

- Have a drink.

- Un double, alors.

- Pretty good drinker.

- Double?

Double.

- I hope those Hel's Angels come back.

- Mais c'est de ma part. Moi.

Have another drink.

No, no, no. Have another - you.

- Sant.

- Down the hatch.

Throw it back.

Ah!

- Merci.

- I'll have another.

No, no.

Bought the beans!

Yeah. Gimme my hat back.

Ah!

Par... Parlez-vous?

Oui?

Hello. Inspector?

Yes. How are you?

Well, it's... sunny, warm.

Yes. There too? Formidable.

Well, the plan is going as you said it would.

No, I don't like it, no.

If Charnier is in Marseilles and sees him,...

..it will be very dangerous.

Well, I have two men on Doyle, day and night.

But he is unpredictable.

No, I would not do it this way.

First I would tell Doyle myself that he is

being used as - how do you say - as bait.

Well, he is your man, not mine, Inspector.

Oh, yes. He is very evident, very visible, yes.

Hello? Hello? Merde. On a t coup.

Hello? Hello?

Yes, operator? We were cut off.

I was talking to

the New York Police Department.

Hello?

What do you mean,

it's the French operator's fault?

What? Hello? Hello.

Hello! Merde.

- I wanna go right there, not here.

Do you speak English?

Speak English?

Hey!

Hey, Henry?

Pretty good.

You had a two-hour lunch?

Are you investigating the greasy spoons?

Doyle, this is Mademoiselle Lefvre.

- Monique, Monsieur Doyle de New York.

- Bonjour.

- I thought that you had left us.

- No, I was... hangin' around.

I wanted to find out why Charnier

likes this burg so much. You know?

- I think I found out.

- Found out what?

That while Charnier is walking around free,

the police are having two-hour lunches.

- Can I get you a taxi to the airport?

- No, I think I'll just stay here.

- As you wish.

- Listen.

I want you to do me a favour.

Get your two tails off my back, will you?

Is the tall one your brother-in-law?

- Listen, Doyle...

- No, you listen!

I came over to get that f***in' Charnier,

and I'm gonna get his ass.

And I could do it a lot better

if Sacco and Vanzetti were off my tail.

Put 'em back on the school crossing.

They might get run over by a bicycle.

I don't want that on my conscience.

- Nice to have met you.

- Qu'est-ce qu'il a dit?

You want this ball? Huh?

Come on. Come over and get it.

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Alexander Jacobs

Alexander Jacobs (1927–26 October 1979) was a screenwriter best known for his work in the action field. His writing style for Point Blank was very influential on Walter Hill. more…

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Submitted on August 05, 2018

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