The Band Wagon Page #4

Synopsis: Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy!
Director(s): Vincente Minnelli
Production: MGM Home Entertainment
  Nominated for 3 Oscars. Another 2 wins & 1 nomination.
 
IMDB:
7.6
Rotten Tomatoes:
100%
PASSED
Year:
1953
112 min
658 Views


- Mr. Cordova wants a...

- Stay right here. It's all right.

That maniac. Honestly! Say, Hal?

- Yes, Miss Marton.

- The maestro wants his...

I know. The corned beef.

It's in his dressing room already.

Hal, this is Mr. Hunter.

- This is Hal Benton, Jeff's manager.

- Nice to meet you.

- I'm a great admirer of yours.

- Thank you.

- When did you get in town?

- I got off the train a couple of hours ago.

- Wasn't that curtain slower tonight?

- It was my fault. I'm sorry.

No, don't change it. Keep it that way.

It's wonderful. Doubles the applause.

- Jeff, this is Tony Hunter.

- How do you do?

Sorry, kids. Be with you soon as I get out

of this sackcloth and ashes...

Max, what happened to that amber spot?

It was way off.

Must have more light on me there.

Don't let us keep it a secret

I'm in the show.

- Excuse me.

- Hello, sweetheart.

- You look wonderful.

- Thank you.

Hal, call a full dialogue rehearsal, will you?

Friday, for the full company.

Sloppy diction. The original was in Greek,

but this is in English.

Don't let us keep it a secret it's in English.

I want to catch the matinee tomorrow...

- of Man in a Mousetrap.

- Can't do. We got a drama lecture...

Never mind. We'll work it out somehow.

Jeff, this is Tony Hunter.

Yeah, I know. We just met.

Mr. Hunter.

- I beg your pardon.

- I'm glad to know you.

So happy to meet you.

You have no idea

how delighted I am to see you.

- Delighted and thrilled.

- Thank you.

We need our theatre greats right here.

So when Lily and Lester said they were

doing a show with Tony Hunter...

that's all I had to know.

I'm dropping every other project,

and there are plenty, believe me.

That's wonderful, Mr. Cordova,

but all this... The classics...

- Do you really want to do a musical?

- Musical, musical!

I'm sick of these artificial barriers

between the musical and the drama.

In my mind, there is no difference

between the magic rhythms...

of Bill Shakespeare's immortal verse

and the magic rhythms...

of Bill Robinson's immortal feet.

Hal, write that down.

I'll use it at Princeton.

It's already down. You used it last week.

I tell you, if it moves you,

if it stimulates you...

if it entertains you, it's theatre.

When the right combination gets together

and it spells theatre...

I got to be right in there up to my armpits.

That's higher than usual.

Now, that's what I wanted

Tony to hear you say.

I tried to tell him how you feel, but I knew

that you could say it so beautifully.

Lily, you splendid animal.

Take your hands off my wife

and let's get down to business.

Now I have here a script.

It's great. It's ready to roll.

Jeff, I want you to take this home.

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Betty Comden

Betty Comden (born Basya Cohen, May 3, 1917 – November 23, 2006) was one-half of the musical-comedy duo Comden and Green, who provided lyrics, libretti, and screenplays to some of the most beloved and successful Hollywood musicals and Broadway shows of the mid-20th century. Her writing partnership with Adolph Green, called "the longest running creative partnership in theatre history", lasted for six decades, during which time they collaborated with other leading entertainment figures such as the famed "Freed Unit" at MGM, Jule Styne and Leonard Bernstein, and wrote the musical comedy film Singin' in the Rain. more…

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Submitted on August 05, 2018

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