Street of Chance Page #6

Synopsis: A nerd discovers he's wanted for murder, after escaping death from wreckage plummeting from a skyscraper. Passerby Frank Thompson wakes up in the street, believing it's his lucky day, then rushes home to be told that he left his wife a year ago, with no explanation. Raven-haired Virginia is thrilled to have her sexy geek back in one piece. But as fearsome Danny Nearing, the amnesiac's the target of a city-wide manhunt. Thompson's forced onto a black path of fear, delving for the truth about his lost year, and his sudden amnesia which almost caused his bride to wear black. For the past year, as Nearing, he's carried on a torrid affair with a phantom lady, sexy blonde Ruth Dillon, who has no intention of letting him go back to the wife he claims he has. Is he the brutal killer ? The meek Thompson can't believe that, but how can he counter overwhelming evidence, when he's a small man lost behind a black curtain ?
Director(s): Jack Hively
Production: Paramount Pictures
 
IMDB:
6.5
APPROVED
Year:
1942
74 min
39 Views


9:
25

Danny.

That's the one we'll be on.

DISTRICT ATTORNEY

OF:

JERICHO COUNTY:

I don't think I should answer that

question unless my attorney is present.

That's your privilege, Mr. Diedrich.

Bill, don't talk like a ninny.

After all, this is just an

informal little get together

to help me, as district attorney

of Jericho County,

tie up the loose ends of my report

to the grand jury.

I have nothing to add

to what I've already told you.

You ain't told us

very much, Mr. Diedrich.

For example, I'm still not quite sure

where you all were when

the crime occurred.

I was getting ready for bed.

Brushing your teeth and what not?

Exactly.

How long has it been your habit

to brush your teeth

in Mrs. Diedrich's private sitting room?

Look here, Stillwell!

-Bill!

Deposition of Ruth Dillon made

in part

Young Mr. Bill was with Mrs. Diedrich

in her upstairs sitting room.

They told me to go down to the bar

and mix two bourbon highballs as usual.

They also asked me to look and see

if Mr. Harry Diedrich was still

in the living room.

Now surely, Mr. Diedrich, in the light

of what you've just told me...

She's lying.

-That would be perjury, Mr. Diedrich.

That there is a sworn statement.

She'd do anything to protect Nearing.

She's crazy about him.

We've ample proof of that.

At the moment , though,

let us confine ourselves

to the situation in your home

as it existed

prior to you brother's murder.

The situation?

He means you and me, Bill.

Alma, you don't know what you're saying.

Oh, yes I do.

Bill and I have been in love with each

other for a long time, Mr. Stillwell.

Of course, it's all been

perfectly proper.

I was on the point of

discussing a divorce

arrangement with my husband when he...

He didn't know then.

Oh, no.

No, we've always been extremely careful

not to hurt him, I mean.

And yet, the day before he was killed,

he'd instructed his lawyer to draw up

a new will cutting you off

with a dollar.

I wonder why.

Of course he was dead before

the new will could be executed.

Poor Harry.

You're familiar, I suppose,

with the amount of the estate.

More or less.

More or less about $250,000.

Really!

Money, money, money.

The root of all evil.

Especially if you ain't got none.

What's that?

Oh, nothin', not a dern thing. I was

just phlosiphisin' at myself.

Tell me, Mrs. Diedrich, have you ever

discussed this matter with

your late husband's brother?

You don't have to answer

that question, Alma.

I don't intend to.

I think you're rather exceeding your

authority at this point, Mr. Stillwell.

We're not in court, please remember.

You misinterpret my question,

Mrs. Diedrich.

Do I?

Perhaps from now on, you better

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Garrett Fort

Garrett Elsden Fort (June 5, 1900 - October 26, 1945) was an American short story writer, playwright, and Hollywood screenwriter. He was also a close follower of Meher Baba. Fort made his screenwriting debut with the silent film, One of the Finest (1917). Early in his career, Fort co-wrote the Broadway play Jarnegan (1928), based on the novel by Jim Tully. Fort's first talkie effort was the ground-breaking Rouben Mamoulian production Applause (1929). In 2006 Applause was recognized as a culturally, historically and aesthetically significant film by the National Film Registry.Fort was adept at alternating horrific highlights with bits of unexpected humor. As a screenwriter he is best remembered for his work on the original screen adaptations of such horror / melodrama films as Dracula (1931), Frankenstein (1931), Dracula's Daughter (1936), and The Mark of Zorro (1940). more…

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Submitted on August 05, 2018

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