Stranger Than Fiction Page #6

Synopsis: Everybody knows that your life is a story. But what if a story was your life? Harold Crick is your average IRS agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on TV. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late.
Genre: Comedy, Drama, Fantasy
Director(s): Marc Forster
Production: Sony Pictures
  Nominated for 1 Golden Globe. Another 3 wins & 14 nominations.
 
IMDB:
7.6
Metacritic:
67
Rotten Tomatoes:
72%
PG-13
Year:
2006
113 min
$40,137,776
Website
5,730 Views


I mean, I once gave an entire seminar

on "little did he know."

Son of a b*tch, Harold.

"Little did he know" means there's

something he doesn't know...

...that means there's something

you don't know. Did you know that?

- I want you to come back Friday.

- Okay.

No, "imminent,"

you could be dead by Friday.

Come back tomorrow at 9:45.

Ten seconds ago

you said you wouldn't help me.

It's been a very revealing 10 seconds,

Harold.

Harold was deep in thought.

For a few, brief moments, from

Born Boulevard to Euclid Avenue...

... all the calculations

and all the rules...

... and all the precision of Harold's life

just faded away.

How perfect then

that in this space...

... Ana Pascal would appear.

Ms. Pascal.

Ms. Pascal, it's Harold Crick

from the IRS.

Excuse me.

- Hi.

- Hi.

- Would you like a seat?

- Nope.

There's 11 open ones.

I don't care.

Sorry about that.

How are you?

I'm lousy. I'm being audited.

Of course.

By a real creep too.

I think I owe you an apology.

- Really?

- IRS agents...

...we're given rigorous aptitude tests

before we can work.

Unfortunately for you, we aren't tested

on tact or good manners...

...so I apologize.

I ogled you.

Sorry.

Okay, apology accepted.

But only because you stammered.

So you're a frequenter of the

metropolitan transit authority too?

No. I'm just late.

Big flag-burning to get to?

Actually...

...it's my weekly evil-conspiracy

and needlepoint group.

You wanna come?

I left my thimbles and socialist

reading material at home.

So... .

Harold nervously made small talk.

You have very straight teeth.

Very small talk.

Thanks. They're real.

Harold quickly calculated the odds

of making an ass of himself...

... in ratio to the amount of time

he stayed to chat.

This is my stop. I should go.

- He was elated and surprised...

- See you soon.

... by his somewhat flirtatious

encounter with Ms. Pascal.

So elated that he exited

the Transit Authority bus...

... a good 27 blocks too early

and would now have to walk.

- "You ain't down yet."

- That's right.

Tell us, what is You Ain't Got

Nothin' On Me about, Emmett Cole?

What does this mean?

Well, it's about being around

in the world, doing different things...

- ... doing what you wanna do... .

- Come in.

Mr. Crick. Come in, come in. Please.

How are you?

I'm fine, actually.

You can turn that off.

Looks like our narrator

hasn't killed you quite yet.

- No, not yet.

- Good, great. Have a seat.

- Count the stairs outside?

- No.

Course not. I've devised a test--

How exciting is that?

- Of 23 questions...

...which I think might help uncover

more truths about this narrator.

- Now, Howard... .

Rate this script:4.0 / 2 votes

Zach Helm

Zach Helm (born January 21, 1975 in Santa Clara, California) is an American writer, director, and producer. The son of school teachers, Helm was raised in a town of less than 50 citizens in the Sierra Nevadas of California. He first became known for writing Stranger than Fiction (2006), which garnered much notoriety for Helm, including awards from the National Board of Review and PEN International. He is best known internationally for his acclaimed stage play Good Canary, which has been translated and produced around the world, garnering multiple awards and accolades. He is also known for the film Mr. Magorium's Wonder Emporium (2007) (which he wrote and directed) and his one-man performance pieces, most notably his revival of Spalding Gray's Interviewing The Audience. Helm has also spent much time developing his own "open input" approach to drama, a collaborative process focused on helping artists mine narrative material from the real world. Using interviews, physical research, devised theater techniques and dramaturgy, the egalitarian approach has been used by Helm to help artists around the world, from primary school children to amateur filmmakers. more…

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Submitted on August 05, 2018

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